23 January 2026

Dianarama:
The Betrayal of Princess Diana


Dianarama

Former Panorama reporter Martin Bashir’s extraordinary TV interview with Princess Diana was broadcast on BBC1 on 20th November 1995. Diana’s criticism of Camilla Parker-Bowles provided the key soundbite — “there were three of us in this marriage, so it was a bit crowded” — though her comments about Prince Charles’s accession were even more remarkable. Asked whether their eldest son William should succeed the Queen instead of Charles, she replied: “My wish is that my husband finds peace of mind. And from that follows other things, yes.”

In Dianarama: The Betrayal of Princess Diana, Andy Webb calls the Panorama interview “the most momentous footage the BBC has ever recorded, or will ever record”, and he’s probably right. As we now know, Bashir obtained the interview by deception: he commissioned graphic designer Matt Wiessler to create fake bank statements, and presented them to Diana’s brother Charles Spencer, who then put him in touch with Diana herself.

The forged bank statements added credence to a series of false conspiracy theories that Bashir told to Spencer and Diana. In the weeks leading up to the interview, he was essentially gaslighting Diana — Webb describes his “wicked intent” — exploiting her paranoia about the royal family and its staff.

Dianarama is the first book on the Diana interview. It’s a fascinating and comprehensive account of the background, the interview session itself, and the consequences for Diana, Bashir, and the BBC. Webb has spoken to most of the key players — except Bashir, of course, whose only public comment on Diana came in a brief Sunday Times interview on 23rd May 2021.

Webb claims a pivotal role for himself in exposing the facts about the interview: “it was only when I was able to get hold of a formerly secret document from the BBC, after a thirteen-year struggle, that the scandal burst into the open and Bashir’s duplicity was revealed for the first time.” He also writes: “Many journalists have looked at the Bashir scandal over the last thirty years. I can say without being too swell-headed that something I did... finally brought it to light. I have studied these matters for close to twenty years”.

This implies that he was investigating the story over a period of many years, but that’s not really accurate. He submitted a Freedom of Information request to the BBC in 2007, though it was denied. He submitted another, more fruitful, FoI request in 2020, but in the intervening years he hadn’t been doggedly pursuing the truth about Panorama, he had been working on other projects. (He gives a more accurate summary of that period later in the book: “a little bit here, a little bit there, but of course I had a busy career too”.)

Most of the credit for exposing the story belongs to the Mail newspapers. On 7th April 1996, less than six months after the Panorama broadcast, The Mail on Sunday first reported that Bashir had commissioned Wiessler to create the fake bank statements. Spencer gave a series of interviews to the Daily Mail — published on 3rd, 4th, and 7th November 2020 — and it was his allegations that led the BBC to launch a formal inquiry into the interview. Webb was indirectly responsible for this, as he sent Spencer the replies to his 2020 FoI request, which prompted Spencer to talk to the Daily Mail.

Webb directed a Channel 4 documentary about the Panorama interview in 2020, one of three rival programmes on the subject. He made a follow-up in 2021.

20 January 2026

Thai Political Milestones, no. 6:
‘Shutdown Bangkok’


Blue Sky

Thailand’s politics had been polarised for almost a decade by 2013, between the yellow-shirt and red-shirt movements. Yingluck Shinawatra managed the impossible, by bringing both sides together in a common cause — though they were united against one of her Pheu Thai government’s key policies, a blanket amnesty for those accused of political crimes. The proposed amnesty would have given immunity to Abhisit Vejjajiva over his role in the deadly crackdown on red-shirt protesters in 2010, though the bill was widely perceived as a cover to exonerate Yingluck’s brother Thaksin of his corruption charges.

The amnesty bill was approved by parliament on 1st November 2013, thanks to Pheu Thai’s majority in the House of Representatives, though the vote was held at 4am, in a misguided attempt to pass it without drawing attention to the legislation. Protests against the amnesty took place in Bangkok, and the bill was unanimously rejected by the Senate, on 11th November 2013.

At the same time, on 20th November 2013, the Constitutional Court rejected an attempt by Pheu Thai to amend the constitution and return to an entirely elected Senate. (Under the previous 1997 constitution, the Senate had become fully democratic for the first time, though the subsequent constitution drafted after the 2006 coup created a half-elected and half-appointed Senate.)

In a highly unusual and provocative step, Pheu Thai publicly rejected the court’s verdict, and even called for the impeachment of the five judges who voted against the government. Yingluck ultimately withdrew the proposed amendment, and dropped all plans for an amnesty, though these concessions emboldened the anti-government protesters to increase their campaign, calling for the eradication of what they called the Thaksin regime.

Matichon Weekly

People’s Democratic Reform Committee


Mass demonstrations began on the weekend of 23rd and 24th November 2013, when around 100,000 protesters gathered at Democracy Monument. Suthep Thaugsuban, a senior figure in the opposition Democrat Party, resigned as an MP to lead a new protest group, the People’s Democratic Reform Committee. The PDRC briefly occupied the offices of several government ministries on 25th November 2013.

PDRC protesters carried whistles instead of the hand-clappers used in previous demonstrations, though in other respects they followed the yellow-shirt playbook. Their street protests caused maximum disruption in Bangkok, provoking a political crisis, and creating the conditions for a military coup.

In 2010, when Suthep was in government and the red-shirt rallies were at their height, Suthep said: “if they violate the laws, such as blocking roads and intruding into government offices, we will have to disperse the protesters.” But, three years later, he was using precisely the tactics that he had previously condemned.

Matichon Weekly Lips

On 9th December 2013, all Democrat Party MPs resigned from parliament and the PDRC led around 160,000 people in a march to Government House. Yingluck dissolved parliament and called a general election for 2nd February 2014, though the Democrats announced that they would boycott the vote.

Registration for the election took place at the Bangkok Youth Centre stadium, and the PDRC began one of its biggest rallies there on 22nd December 2013. After four days, on Boxing Day, the police used tear gas and rubber bullets to disperse the protesters, and a police officer was killed.

Suthep escalated his protests, announcing a ‘Shutdown Bangkok’ campaign that began on 13th January 2014, designed to cause gridlock in the capital city and sabotage the election. Yingluck declared a state of emergency on 22nd January 2014, and four days later the PDRC blocked access to polling stations to prevent early voting in the election.


On election day, 11% of polling stations were closed due to PDRC protests, and voting was cancelled in nine provinces. On the eve of the election, a lone gunman shot four pro-democracy demonstrators at Lak Si in Bangkok. (His M16 rifle was concealed in a Kolk popcorn bag, which became a tasteless fashion accessory among some PDRC members.)

After months of disruption, riot police began attempting to reclaim some of the blockaded buildings and roads in Bangkok. On 18th February 2014, four protesters and a police officer were killed at Phan Fah when protesters attacked the police with grenades and gunfire, and the police responded with live ammunition. Suthep finally ended his shutdown on 3rd March 2014.


The 2014 Coup


On 20th March 2014, army chief Prayut Chan-o-cha announced that the military had taken over control of national security. In a televised broadcast, he sought to reassure the public: “We urge people not to panic. Please carry on your daily activities as usual. The invocation of martial law is not a coup d’etat

Two days later, Prayut led the National Council for Peace and Order in a military coup against the Pheu Thai government. He was appointed prime minister on 21st August 2014, a role he held for nine years.

Yingluck had been removed as PM by the Constitutional Court on 7th May 2014, after an investigation into nepotism charges. She was subsequently fined, impeached, and convicted of dereliction of dutyin absentia — in relation to her government’s rice subsidy scheme.

Thai Political Milestones:

08 January 2026

La bambola
(‘the doll’)


La bambola

Madonna has released a cover version of La bambola (‘the doll’), which was originally a hit for the Italian singer Patty Pravo. The digital single — Madonna’s first new solo track since 2019 — is part of a promotional campaign for a Dolce and Gabbana perfume.

This is the first time Madonna has recorded a song in Italian, though she has occasionally performed in other languages. She sang a cover version of the French classic La vie en rose (‘life in pink’) on her Rebel Heart Tour, and she ended her MDNA à l’Olympia (‘MDNA at the Olympia’) show with a cover version of Je t’aime... moi non plus (‘I love you... me neither’). She has recorded Spanish versions of two of her singles: Verás (You’ll See) and Lo Que Sienta la Mujer (What It Feels Like for a Girl). She has also released two Sanskrit-language songs: Shanti/Ashtangi and Cyber-Raga.

04 January 2026

History Bureau Agent


History Bureau Agent

Nanut Thanapornrapee’s short video History Bureau Agent is on show at Bangkok Art and Culture Centre, as part of the Layer by Layer exhibition. Layer by Layer opened on 2nd December last year, and closes today.

History Bureau Agent was first shown as part of Nanut’s This History Is Auto-Generated exhibition at WTF Gallery, from 13th August to 30th September 2022. It’s one of more than seventy films and videos that refer to the events at Thammasat University in 1976.

Layer by Layer
This History Is Auto-Generated
This History Is Auto-Generated

Nanut used ChatGPT to create an animated film narrating an alternative political history of Thailand. The generative AI software produced a satirical storyline featuring a secret military base run by “Thirayuth Chan-Ocha” (clearly a pun on coup leader Prayut Chan-o-cha). The film also features photographs from 14th October 1973, 6th October 1976, and 18th May 1992, and video from 19th May 2010.

29 December 2025

Bob Vylan



The punk duo Bob Vylan are suing RTÉ for defamation, after the broadcaster described their Glastonbury Festival performance as antisemitic. Bob Vylan appeared at Glastonbury on 28th June alongside Irish band Kneecap, and both groups were under criminal investigation for their performances.

Bobby Vylan led the Glastonbury crowd in a chant of “death, death to the IDF”, a reference to the Israel Defense Forces. On the same day, Kneecap member Móglaí Bap urged the crowd to “start a riot”, though he retracted the comment a few minutes later.


On 30th June, RTÉ News reported: “The lead singer of British band Bob Vylan led antisemitic chants from the stage.” The band sued RTÉ for libel on 9th December, and announced the lawsuit in an Instagram post on 11th December: “We have decided to take legal action against RTÉ after they recklessly labelled us and our actions at Glastonbury antisemitic.”

The police investigation into Kneecap’s performance was dropped on 18th July, after less than a month. On 23rd December, Avon and Somerset Police announced that no charges would be brought against Bob Vylan, “on the basis there is insufficient evidence for there to be a realistic prospect of conviction.”

28 December 2025

Your Ash and My Bone


Your Ash and My Bone

Sina Wittayawiroj’s Your Ash and My Bone (ธุลีดาว) is a documentary collage film in which the artist narrates his life story from birth to the present. He describes his family, his childhood, and his career, and the film is part of his exhibition Can’t We Recant? (เราจะถอนคำพูดไม่ได้เลยหรือ?) at Kinjai Contemporary in Bangkok.

The autobiographical narration is juxtaposed with an account of Thailand’s political turmoil over the same period. There is archive footage of Black May, the 2006 coup (which Sina describes as “this poisonous tree attempting to root itself deepest into society”), the 2010 red-shirt crackdown, the whistle-blower protests, the 2014 coup, and the student protest movement of 2020–2021.

Your Ash and My Bone

Coloured filters are used to add political commentary to some of the events: blue for 2006, red for 2010, and yellow for 2014. Music is also a key element: a montage of scenes showing the arrest of Arnon Nampa and water cannon being used in Siam Square is accompanied by Caravan’s song Jit Phumisak (จิตร ภูมิศักดิ์), linking today’s student protesters to the revolutionary young writer who was killed in 1966.


Your Ash and My Bone also highlights some of Thailand’s artistic controversies over the past two decades: the banning of Apichatpong Weerasethakul’s Syndromes and a Century (แสงศตวรรษ), protests against Anupong Chantorn’s painting Perceptless (ภิกษุสันดานกา), and the censorship of the Rupture (หมายเหตุ ๕/๒๕๕๓) exhibition. The film shows how political repression and artistic censorship are equally corrosive.

Your Ash and My Bone

Some self-censorship was necessary, and Sina draws attention to this by periodically displaying a spoof computer error screen (“No Freedom”) and obscuring certain words in the English subtitles. Abhichon Rattanabhayon used a similar tactic in his short film The Six Principles (สัญญาของผู้มาก่อนกาล), as did Pen-ek Ratanaruang in Paradoxocracy (ประชาธิป'ไทย).

26 December 2025

Pratudang Micro Cinema


Pratudang Micro Cinema

Anocha Suwichakornpong’s film By the Time It Gets Dark (ดาวคะนอง) will be shown at Pratudang Micro Cinema from today until 29th December. The venue is part of Pratudang Space, a new arts centre in Khon Kaen, and one of a growing number of microcinemas around the country. (Others include Phatthalung Micro Cinema, and Backyard Cinematic in Trang.)

22 December 2025

Dissolve to the Pastroad



Watcharachai Kalong’s short drama Dissolve to the Pastroad (ถนนอดีต) begins with a group of students in a guided meditation session, though they are lying face down, in the same position as the students arrested at Thammasat University on 6th October 1976. Anocha Suwichakornpong’s film By the Time It Gets Dark (ดาวคะนอง) begins with actors adopting the same pose. (Dissolve to the Pastroad and By the Time It Gets Dark are among more than seventy films that refer to the attack at Thammasat.)

The students in Dissolve to the Pastroad are set an unusual assignment: to go to the forest and reenact the communist insurgency that took place there following the events of 1976. On the way to the forest, they drive past Democracy Monument, and Vaivit’s song Space and Time (พื้นที่และเวลา) plays on the soundtrack:

“ฉันควรรอเสียบ้าง
บางอย่างจะได้มา
บางอย่างคงจะดี
บางอย่างคงจะฟรี.”

The lyrics — ‘I should wait a little / Something will come / Something will be good / Something will be free’ — comment on the long history of Thailand’s nascent democracy. They also foreshadow a later sequence in which footage of students protesting in the buildup to 14th October 1973 is superimposed over shots of the forest.

The plot synopsis explains that the students are “sent into the forest to explore sites of past violence.” This places Dissolve to the Pastroad within a group of Thai films that explore what the Dutch artist Armando called ‘guilty landscapes’: tranquil spaces that bore silent witness to historical violence. (Thai Cinema Uncensored includes an analysis of guilty landscapes in Thai films.)

Dissolve to the Pastroad was co-written by Koraphat Cheeradit, director of Yesterday Is Another Day and ...Tomorrow I Fuck with Yesterday Now!, who also stars in the film. It was first shown at Bangkok University’s School of Digital Media and Cinematic Arts on 21st August. It was screened at PYE Space in Phayao on 9th November, and it was included in the second Open Screen programme in Khon Kaen. Its most recent screening was in the online Short Film Marathon (หนังสั้นมาราธอน), on 23rd November.

17 December 2025

Can’t We Recant?
An Exhibition of Life, Art, Politics, and Death


Can't We Recant?

Sina Wittayawiroj’s exhibition Can’t We Recant? An Exhibition of Life, Art, Politics, and Death (เราจะถอนคำพูดไม่ได้เลยหรือ? นิทรรศการ ชีวิต ศิลปะ การเมือง และความตาย) opened at Kinjai Contemporary in Bangkok on 13th December, and runs until 25th January. The exhibition explores Sina’s personal and artistic background, and his connection to the major political events of his lifetime. Sina’s essay film Your Ash and My Bone (ธุลีดาว) is also screening throughout the exhibition.

The Awakening
Life Firing Zone

One section, which deals with the 2010 red-shirt crackdown, is titled The Awakening, situating Sina within the “Post-Ratchaprasong art” movement, a label coined by the journal Read (อ่าน; vol. 3, no. 2) describing artists whose work took on a political dimension in response to the crackdown. Sina is one of a generation of artists, writers, and filmmakers who experienced a political awakening in 2010, including Prakit Kobkijwattana, Veeraporn Nitiprapha, Uthis Haemamool, and Chulayarnnon Siriphol. Political awakening is known in Thai as ta sawang, and Chulayarnnon — along with five other directors — discussed his ta sawang experience in an interview for Thai Cinema Uncensored.

The Awakening
Your Ash and My Bone

The Awakening features two installations. One is a life-sized recreation of a famous photograph from 15th May 2010, showing a soldier next to a sign warning that live ammunition was used against the red-shirts. (Red splotches have been added to the soldier’s uniform, as a reminder that the sign was accurate.) The other is a pile of red-shirt memorabilia (such as handclappers and clothing), under a neon pyramid.

Thailand 4th Annual Conference
on Anthropology and Sociology


Thailand Anthropology and Sociology Conference 2025

The Thailand 4th Annual Conference on Anthropology and Sociology (การประชุมวิชาการระดับชาติด้านมานุษยวิทยาและสังคมวิทยา ครั้งที่ 4) opens tomorrow at Chulalongkorn University’s Faculty of Political Science in Bangkok, and runs until 19th December. THACAS includes a screening of Buariyate Eamkamol’s short film A Fire 9 Kilometers Away on the closing day.

A Fire 9 Kilometers Away

The film is a blend of documentary and fiction, and features a poem dedicated to Samaphan Srithep, one of the youngest victims of the crackdown on protesters in Bangkok in 2010. Projected as a diptych, the film makes ironic juxtapositions, showing military snipers on 10th April 2010 alongside footage of revellers firing water pistols during the April Songkran festival.

It was previously shown at Wildtype 2025 and the Media Arts and Design Festival 2025 (บึงเบ๊ง). Its most recent screening was at the 29th Thai Short Film and Video Festival (เทศกาลภาพยนตร์สั้น ครั้งที่ 29).