Harit Srikhao’s exhibition Imago opened at Bangkok CityCity Gallery on 12th October, and runs until 30th November. Its title describes the final stage of an insect’s metamorphosis into an adult, reflecting the artist’s own maturity. Harit has also undergone a process of art therapy, and the resulting sense of empowerment—like an insect’s emergence from its pupal case—made Imago possible.
The exhibition includes a video installation, also titled Imago, which combines photography with stop-motion animation. The exhibition leaflet refers to “surrendering the autonomy of one’s own image and the struggle in reclaiming it,” a reference to intimate footage of Harit and his former partner and collaborator, Thunska Pansittivorakul. After their relationship ended, Thunska used this explicit material unilaterally in his documentary Avalon (แดนศักดิ์สิทธิ์).
Harit has now taken back control of this representation of his past, by inserting a graphic video clip—which appeared at the beginning of Avalon—into Imago. The installation also includes screenshots of threatening emails that Harit received about the explicit footage (from a sender whose name is not shown), which he printed out and cut into paper butterflies, turning toxic memories into art that symbolises his independence.
The exhibition includes a video installation, also titled Imago, which combines photography with stop-motion animation. The exhibition leaflet refers to “surrendering the autonomy of one’s own image and the struggle in reclaiming it,” a reference to intimate footage of Harit and his former partner and collaborator, Thunska Pansittivorakul. After their relationship ended, Thunska used this explicit material unilaterally in his documentary Avalon (แดนศักดิ์สิทธิ์).
Harit has now taken back control of this representation of his past, by inserting a graphic video clip—which appeared at the beginning of Avalon—into Imago. The installation also includes screenshots of threatening emails that Harit received about the explicit footage (from a sender whose name is not shown), which he printed out and cut into paper butterflies, turning toxic memories into art that symbolises his independence.
These paper butterflies also feature on the cover of Window, a CD single (limited to 300 copies) featuring music from the Imago soundtrack. One of Harit’s previous exhibitions, Whitewash, was censored by the military in 2017, inspiring Aditya Assarat’s Sunset, a segment of the portmanteau film Ten Years Thailand. Harit has codirected the documentaries Homogeneous, Empty Time (สุญกาล) and sPACEtIME (กาลอวกาศ).
