Friday, 24 May 2019


Prontip Mankong’s prison diary, ‪มันทำร้ายเราได้แค่นี้แหละ (‘all they could do to us’), was published earlier this year. Prontip was jailed in 2015 for lèse-majesté, after she directed a play, The Wolf Bride (เจ้าสาวหมาป่า), which was performed at Thammasat University in 2013. She was released from prison in 2016.

The book, which is almost 900 pages long, reproduces notes Prontip wrote by hand while serving her sentence. Her boyfriend was interviewed about her conviction in the documentary Homogeneous, Empty Time (สุญกาล), and ห้องเช่าหมายเลข 112 (‘room no. 112 for rent’) profiles twenty-two fellow lèse-majesté prisoners.

Friday, 17 May 2019


Dario Argento’s classic horror film Suspiria will be shown at Smalls, the Bangkok bar, on Sunday evening. The rooftop screening is free of charge.

Wednesday, 15 May 2019


Madonna is featured on Maluma’s new album, 11:11, which will be released on 17th May; she appears on one track, Soltera (‘single’). Likewise, Madonna’s forthcoming album Madame X features Maluma on two tracks: Medellín and Bitch I’m Loca.

Tuesday, 14 May 2019

Les deux freres et les lions

Les deux freres et les lions
Les deux freres et les lions
Les deux freres et les lions
Les deux freres et les lions
David Barclay is suing a French playwright for libel and invasion of privacy. The court case, which began yesterday, relates to the play Les deux frères et les lions (‘the two brothers and the lions’), written by Hédi Tillette de Clermont-Tonnerre and first performed in 2013. The play is a thinly-veiled satire on the Barclay twins, David and Frederick, owners of The Daily Telegraph newspaper. David Barclay is seeking a ban on any future performances of the play, and on sales of its script, which was published in 2017.

The play is a two-hander, and its unnamed characters are referred to as ‘l’aîné’ (‘elder’) and ‘le cadet’ (‘younger’). The lawsuit cites two specific passages, both spoken by ‘l’aîné’, the character based on David Barclay, the older twin. In the first of the contentious lines, found on page 43 of the published script, he declares himself above the law. In the second controversial passage, on page 48, he complains that his children will suffer due to Norman inheritance laws.

Friday, 10 May 2019

Pioneer in Video Art

Pioneer in Video Art
The Pioneer in Video Art [sic.] (นิทรรศการผู้บุกเบิกศิลปะวีดีโอจากประเทศไทย ประเทศสโลวีเนีย และประเทศนอร์เวย์ ตั้งแต่ปี 1980) exhibition at BACC in Bangkok features video art from Thailand, Slovenia, and Norway. The exhibition's subtitle is Thailand, Slovenia, Norway Since 1980, though that date appears arbitrary, as a few pre-1980 videos are included and most works are post-2000.

One of the highlights is Arnont Nongyao's Ghost Rabbit and the Casket Sales (กระต่ายผี กับ คนขายโลง), in which a DJ samples the Thai junta's propaganda song Returning Happiness to the Thai Kingdom (คืนความสุขให้ประเทศไทย). Like the lead character in Baby Driver, the DJ remixes snippets of audio with a cassette recorder. Wheels with abstract patterns are shown spinning, symbolising vinyl records and evoking Marcel Duchamp's Dada film Anaemic Cinema. The film ends with a tattered Thai flag, as in the poster for Ing Kanjanavanit's Citizen Juling (พลเมืองจูหลิง).

Slovenian artist Vuk Cosić renders moving images semi-abstract by converting them to ASCII text. For his video Deep ASCII, he applied this technique to clips from two classic porn movies, The Devil in Miss Jones and Deep Throat.

Several major Thai video artists are missing from the exhibition, most notably Apichatpong Weerasethakul. (He was also omitted from an earlier survey of Thai video art, From Message to Media.) Araya Rasdjarmrearnsook is included, however, represented by A Walk, a slow-motion video in which she wanders among shrouded corpses in a morgue.

Pioneer in Video Art opened yesterday, though half of the exhibition was still under wraps on the first day. As of today, all works are now on show, though the signage is still being put up. The exhibition closes on 29th June.

Wednesday, 1 May 2019

Field Trip Project Asia

Field Trip Project Asia
Parade of Golden Snail
Parade of Golden Snail
Parade of Golden Snail
Office of Contemporary Art and Culture
The Field Trip Project Asia exhibition has been on display since 9th April, though the show's highlight came yesterday evening, with a surreal piece of performance art. For Chulayarnnon Siriphol's Parade of Golden Snail (ขบวนแห่หอยทากทอง), Nuttorn Kungwanklai led a procession through the gallery with mock solemnity. Accompanied by a drummer and two Scouts (as seen in Planetarium, Chulayarnnon's segment of Ten Years Thailand), Nuttorn carried a giant snail shell.

This golden shell has been a recurring motif in Chulayarnnon's recent work. Nuttorn previously held it in Chulayarnnon's short film Golden Spiral (part of Ghost:2561). It also featured in his short film Birth of Golden Snail, which was banned from last year's Thailand Biennale. The Office of Contemporary Art and Culture's letter confirming the ban is included in the Field Trip Project Asia exhibition. The show runs until 5th May, at BACC in Bangkok.

Thursday, 25 April 2019

Santikhiri Sonata

Santikhiri Sonata
Thunska Pansittivorakul's Santikhiri Sonata (สันติคีรี โซนาตา) was filmed in Thailand's northernmost province, Chiang Rai, in the villages of Mae Salong and Hin Taek, whose names were changed by the government to draw a line under their sinister legacies. Mae Salong was renamed Santikhiri ('hill of peace'), and Hin Taek became Thoet Thai ('honour Thailand'), though they were sites of anti-Communist violence during the Cold War. Santikhiri Sonata examines this violent heritage - "A lot of people were killed, including villagers" - and includes graphic photographs of victims caught in the crossfire of a 1982 military raid on Thoet Thai.

Similarly, Apichatpong Weerasethakul made several films in and around the village of Nabua, a location with an equally loaded history to that of Santikhiri, as its inhabitants were among the first victims of the anti-Communist purge. In his short film A Letter to Uncle Boonmee (จดหมายถงลงบญม), a narrator recalls the area's past: "Soldiers once occupied this place. They killed and tortured the villagers and forced them to flee to the jungle." The seemingly tranquil landscapes in Pachara Piyasongsoot's Anatomy of Silence (กายวิภาคของความเงียบ) exhibition also represent politically charged locations. His Nabua (นาบัว) series includes 'No Happiness Other than Serenity', whose ironic title refers to a slogan painted on the gate of a temple used as a Communist detention centre.

Thailand's suppression of Communist insurgents was a guerrilla war lasting almost two decades. A character in Anocha Suwichakornpong's film By the Time It Gets Dark (ดาวคะนอง) describes how suspected Communists were "thrown out of helicopters or set on fire in oil barrels." Thunska alludes to these 'red barrel killings' in Santikhiri Sonata with a caption describing the elimination of subversives by "pushing them into a 'CXII Red Suitcase'". The Roman numerals refer to Thailand's notorious lèse-majesté law, article 112 of the criminal code, which Thunska addressed in Homogeneous, Empty Time (สุญกาล).

Santikhiri Sonata also comments on more recent cases of state violence. Military cadet Phakhapong Tanyakan died during a training exercise in 2017, and his internal organs were removed to prevent an autopsy determining his cause of death. The central characters in Santikhiri Sonata discuss a cadet "whose insides, heart, and brain were all taken out of his body". Similarly, a young human-rights activist, Chaiyaphum Pasae, was killed at a military checkpoint in 2017, and the film describes the circumstances of his death: "eyewitnesses say he was unarmed, and was beaten before being shot." More provocatively, a song composed by King Rama IX, Echo (แว่ว), is repurposed as an ode to Chaiyaphum's memory.

The director's trademark sexual content is also present. In fact, Santikhiri Sonata is his most explicit film since Reincarnate (จุติ). It includes a montage of clips from gay pornographic videos, progressing from 'solo' scenes to hardcore material, accompanied by Jaran Manopet's folk song บ้านบนดอย ('home on the hillside'). (The lyrics at first seem incongruous, though they end with the words "overflowing kindness" as a porn star reaches his climax.) This combination of homoerotic imagery and political critique is a consistent feature of Thunska's films, including This Area Is Under Quarantine (บริเวณนี้อยู่ภายใต้การกักกัน), The Terrorists (ผู้ก่อการร้าย), and Supernatural (เหนือธรรมชาติ).

Another trait in Thunska's work is the blurring of boundaries between documentary, drama, and autobiography. His films are densely constructed, their fictional narratives accompanied by found footage, historical captions, and on-camera interventions by the director. Santikhiri Sonata is his most structurally complex film, alternating between contemporary naturalism and a dystopian future, with metatextual behind-the-scenes sequences.

Rap Against Dictatorship

Which Is My Country
In October 2018, with the junta still in power four years after the 2014 coup, Rap Against Dictatorship released their debut single, Which Is My Country (ประเทศกูมี), a song condemning political corruption, military impunity, and state violence. The song's black-and-white promo video, directed Teerawat Rujintham, ends with a battered mannequin hanging from a tree, a reference to the corpse in Neal Ulevich's infamous photograph of the 6th October 1976 massacre. (Ing Kanjanavanit's film Shakespeare Must Die also recreates Ulevich's photo.)

Whereas anti-coup films and artworks disguise their messages with coded metaphors, Which Is My Country was uncompromising in its criticism of the junta. The lyrics included a litany of political scandals, and the rappers made no concessions to Thailand's culture of conformity, deference, and emotional restraint. This anthemic song succinctly and directly encapsulated the frustration of anti-coup protesters whose dissent was otherwise suppressed.

Comparable artistic expressions of anger towards the state - Thunska Pansittivorakul's documentaries and Vasan Sitthiket's paintings, for example - have not crossed over to mainstream audiences. Which Is My Country, on the other hand, benefitted from its popular modes of expression (rap) and distribution (online streaming): the song's YouTube video went viral, being viewed more than ten million times in its first week of release.

Two days before the 24th March election, Rap Against Dictatorship released their second single, 250 Bootlickers (250 สอพลอ), referring to the 250 senators appointed by the junta in what is destined to be a rubber-stamp Senate. The video for 250 Bootlickers was filmed at Headache Stencil's Thailand Casino exhibition, and the song and exhibition both show how the election was rigged in Prayuth's favour. The exhibition's centrepiece, busts of Prayuth Chan-ocha and former PM Thaksin Shinawatra playing a high-stakes poker game for the future of Thailand, perfectly encapsulates the song's theme.

The election was one of the most dramatic, and contentious, in Thai history. Thai Raksa Chart's extraordinary decision to nominate Princess Ubolratana for PM was swiftly rejected by her brother, King Rama X, leading to the dissolution of the party. Since the election, Thanathorn Juangroongruangkit, leader of the progressive Future Forward party, has faced various trumped-up charges. A tentative anti-Prayuth coalition led by Pheu Thai has a potential parliamentary majority based on unofficial results, though the Election Commission has not yet confirmed how it will allocate seats under an ambiguous system of proportional representation.


If you missed the rooftop screening of GoodFellas at Smalls earlier this year, you can catch it on the roof of The Hive tomorrow. The screening is organised by Bangkok Open Air Cinema Club.

Monday, 22 April 2019

Bangkok Screening Room

Star Wars IV
A Fistful of Dollars
Next month, Bangkok Screening Room will show the original Star Wars trilogy on three consecutive evenings, starting on 3rd May. The cinema will also be screening Sergio Leone's classic A Fistful of Dollars (Per un pugno di dollari), on 2nd, 4th, 5th, 7th, 8th, 11th, 12th, and 14th May.

Friday, 19 April 2019

Madame X

Madame X
Madame X
Madame X
Madame X, Madonna's fourteenth studio album, will be released on 14th June, more than four years after Rebel Heart. The album's lead single, Medellín, was released digitally this week, and its promo video will premiere on MTV on 24th April. (The Madame X persona recalls the Mistress Dita character Madonna adopted for Erotica.)

The MTV premiere is a throwback to the 1980s and 1990s, when music videos were a staple of MTV's schedule and each new Madonna video was a major event. Madame X also taps into this sense of nostalgia, as the album will be released on a variety of physical formats: vinyl, CD, and cassette. There will even be a 7" single, I Rise, as part of a deluxe box set.

As with Rebel Heart, there are multiple versions of the album, each with different track listings. The standard digital and CD releases have thirteen tracks: Medellín (a duet with Maluma), Dark Ballet, God Control, Future (featuring Quavo), Batuka, Killers Who Are Partying, Crave (featuring Swae Lee), Crazy, Come Alive, Faz Gostoso (featuring Anitta), Bitch I'm Loca (featuring Maluma, and recalling Rebel Heart's Bitch I'm Madonna), I Don't Search I Find, and I Rise. The vinyl and cassette editions feature two additional tracks: Extreme Occident and Looking for Mercy. A double CD edition includes a further three bonus tracks: Funaná, Back That Up to the Beat, and Ciao Bella.

There are also three different album covers (again, as was the case with Rebel Heart). The most striking cover shows the album title sewn onto Madonna's lips, perhaps a reference to her mother's death. (The promo video for Oh Father dramatises a flashback to her mother's open-casket funeral, showing her mouth sewn shut.) This cover, which also evokes Frida Kahlo's self-portraits, features on the vinyl, cassette, and standard CD editions. On the double CD cover, Madonna poses with a guitar. The box set cover shows her with plaited blonde hair.

Saturday, 13 April 2019

"I consider the allegation...
implausible and improbable"

The Daily Telegraph
Geoffrey Rush has won his libel case against The Daily Telegraph, and has been awarded $850,000 in damages. The newspaper, published in Sydney, alleged in 2017 that Rush had been accused of "inappropriate behaviour" by a colleague at the Sydney Theatre Company. Rush's accuser was Eryn Jean Norvill, who appeared with him in a production of King Lear; she alleged that he had groped her during a preview performance.

In a written judgement issued on 11th April, Justice Michael Wigney concluded that Norvill's claims were baseless, and that Rush was beyond reproach: "I consider the allegation and Ms Novill's [sic.] evidence concerning it to be somewhat implausible and improbable. Mr Rush was a dedicated actor and consummate professional." (The judgement begins, somewhat pretentiously, by quoting several lines from the play.)

Friday, 5 April 2019

Bangkok Joyride IV

Bangkok Joyride IV
Ing Kanjananvanit's epic documentary Bangkok Joyride (บางกอกจอยไรด์) continues with its fourth instalment, Becoming One (เป็นหนึ่งเดียว), playing now at Cinema Oasis in Bangkok. The series, shot on Ing's iPhone, is an exhaustive record of the PDRC campaign against Yingluck Shinawatra. In part four, a protester claims that Yingluck's brother, Thaksin, is "worse than Hitler", echoing an equally hyperbolic quote from Ing's earlier documentary, Citizen Juling (พลเมืองจูหลิง): "We talk of Hitler... But villagers, all citizens nowadays fear PM Thaksin 10 times more."

Bangkok Joyride covered the early stages of the PDRC's campaign in parts one and two, How We Became Superheroes (เมื่อเราเป็นยอดมนุษย์) and Shutdown Bangkok (ชัตดาวน์ประเทศไทย). Part three, Singing at Funerals (เพลงแห่ศพ), covered the buildup to the 2014 election. Part four covers the protests from 26th January to 8th February 2014, including the 2nd February election.

The PDRC sabotaged the election, blockading polling stations to prevent voting. (It was ultimately invalidated, and the military launched a coup before another poll could take place.) Despite this, Bangkok Joyride celebrates the protesters, and in parts three and four Ing herself appears on stage at PDRC rallies. She can also be heard from behind the camera, wishing the protesters luck; in part four, she tells a demonstrator: "We fight the exact same battle."

In part three, Ing accused the mainstream Western media of pro-Thaksin bias, and this conspiracy theory is expanded in part four when she harangues the BBC's Bangkok correspondent, Jonathan Head: "How do you sleep at night, Mr Head?" Bangkok Joyride's fetishisation of national symbols also continues in part four: protesters are filmed while standing for the national anthem, not once but five times.

Part five, Dancing with Death (รำวงพญายม), will be released later this year. Meanwhile, Neti Wichiansaen's documentary Democracy after Death (ประชาธิปไตยหลังความตาย), which highlights the PDRC's anti-democratic agenda, provides an effective counterpoint to Bangkok Joyride. The short films This Film Has Been Invalid [sic.], Auntie Has Never Had a Passport (ดาวอินดี้), Shut Sound, Myth of Modernity, and Here Comes the Democrat Party (ประชาธิปัตย์มาแล้ว) also include footage of PDRC demonstrations.

Monday, 1 April 2019

"We apologise to Mr Poroshenko
for any distress caused..."

Ukrainian President Petro Poroshenko has received a financial settlement from the BBC, after he sued the broadcaster for defamation. In a report by Paul Wood broadcast on 23rd May 2018, BBC News alleged that Poroshenko had paid Michael Cohen $400,000 to secure a meeting with Donald Trump in 2017. (At the time, Cohen was Trump's personal lawyer, though he has since been convicted of election campaign violations and other offences.) In a statement, the BBC said: "We apologise to Mr Poroshenko for any distress caused and have agreed to pay him damages".

Psycho Legacy Collection
Deluxe Edition

The Psycho Legacy Collection Deluxe Edition was released in Germany earlier this year. It includes an uncut version of Psycho that has been broadcast on television in Europe but has never previously been available on any video format.

Tuesday, 19 March 2019

Once Upon a Time in the West

Once Upon a Time in the West
Once Upon a Time in the West
Sergio Leone's epic Once Upon a Time in the West (C'era una volta il west) will be screened at Smalls, the Bangkok bar, on 24th March. The rooftop screening is free of charge.

Wednesday, 13 March 2019

History of Illustration

History of Illustration
De Humani Corporis Fabrica
The Great Wave
The Plumb-pudding in Danger
La Loie Fuller
Action Comics
History of Illustration, edited by Susan Doyle, is the first comprehensive study of illustration from antiquity to the present day. It's also the first global history of illustration, with chapters on Indian, Chinese, Latin American, African, and Islamic illustration in addition to more familiar Western and Japanese material.

The book is structured chronologically, though it also follows three additional narratives: geographical (histories of illustration in each continent), thematic (chapters on the illustration of anatomy, fashion, and propaganda), and technical (essays on developments in printing). The bibliography includes annotated entries on comic illustration, and there are more than 900 images. The definitive history of illustration, this is a unique guide to more than 1,000 years of visual culture.

History of Illustration is a broad overview of the entire subject, though individual forms of illustration have also been comprehensively surveyed. Essential books on each field include: History of Graphic Design, by Philip B. Meggs; A History of Book Illustration, by David Bland, The Poster: A Worldwide Survey and History, by Alain Weill; The Art of the Print: Masterpieces, History, Techniques, by Fritz Eichenberg; A History of Illuminated Manuscripts, by Christopher de Hamel; and The World Encyclopedia of Comics, by Maurice Horn.

Tuesday, 12 March 2019


Double Life
The Undercover
The Bad Monks
Moral Boundary
Atta (อัตตา) opened at RCB Galleria in Bangkok on 2nd March, and runs until the end of the month. The exhibition features new works by Anupong Chantorn, whose painting Perceptless (ภิกษุสันดานกา) attracted controversy for its depiction of monks as scavenging birds. His solo exhibition Hope in the Dark (ความหวังในความมืด) included Moral Boundary (ชาย-ผ้าเหลือง), a painting of a monk with an erection.

Atta includes a less graphic study for Moral Boundary (ชาย-ผ้าเหลือง), and two preparatory sketches for Perceptless: สันดานกา ('native') and The Bad Monks (ภิกษุสันดานกา). There are also several new paintings, including Double Life (คู่จิ้นจีวรหลุด) and The Undercover (ใต้ผ้ากาสาวพัสตร์). Double Life depicts two monks in an embrace, and The Undercover is a portrait of a monk exposing himself; both were painted directly onto saffron robes. The folio-sized exhibition catalogue was edited by Wanida Rujikietkumjorn.

Monday, 11 March 2019

Sunset Boulevard

Sunset Boulevard
Sunset Boulevard
Billy Wilder's masterpiece Sunset Boulevard will be shown on 17th March at Smalls, the Bangkok bar. The rooftop screening is free of charge.

"The act is deemed hostile to
the constitutional monarchy..."

Thai Raksa Chart
On 7th March, as widely predicted, the Constitutional Court voted to dissolve the Thai Raksa Chart party and ban its executives from political office for ten years. The party had caused a sensation on 8th February by nominating Princess Ubolratana as its candidate for prime minister in the election to be held on 24th March. The nomination was followed by another unprecedented bombshell later that day, when King Rama X issued a statement condemning his elder sister's involvement in politics. On 13th February, the Election Commission ruled that the nomination was invalid, and recommended the party's dissolution to the Constitutional Court.

In the Court's verdict, announced on live television, judge Taweekiat Meenakanit severely criticised Ubolratana's nomination: "The act is deemed hostile to the constitutional monarchy." He also described it as a "devious scheme". Thai Raksa Chart is the third party affiliated with Thaksin Shinawatra to be disbanded by the Constitutional Court, after Thai Rak Thai in 2006 and the People Power Party in 2008.


ความจริงวันนั้น ('the truth about that day'), compiled by the Daily World Today (โลกวันนี้) newspaper, was published in 2010. It includes articles and colour photographs documenting the 2010 red-shirt protests and massacre in Bangkok. The book also includes a VCD, ความจริงประเทศไทย ('the truth about Thailand'). Images of the protests also appear in 19-19.


สมุดภาพแห่งความทรงจำ จารึกประวัติศาสตร์ ๑๔ ตุลา ในวาระครบร ๓๖ ปี ๑๔ ตุลา ('photobook of memories thirty-six years after 14th October') was published in 2009. The book includes more than 1,000 images (including newspaper front pages), providing a comprehensive visual archive of the 14th October 1973 demonstration and massacre in Bangkok. It also includes บันทึกไว้ในประวัติศาสตร์ ('recorded in history'), a CD with five songs inspired by the event, which was first released as a 7" EP in 1973.

The Washington Post

The Washington Post
Last week, Johnny Depp filed a defamation lawsuit against his ex-wife, Amber Heard. Depp is seeking $50m in damages for an op-ed Heard wrote in The Washington Post on 19th December last year, headlined "A transformative moment for women". In the article, published on page A21, Heard referred to her own experience as an abuse victim: "two years ago, I became a public figure representing domestic abuse," though she did not name Depp directly.


Saturday, 9 March 2019


Roman Polanski's neo-noir masterpiece Chinatown will be shown tomorrow night at the Bangkok bar Smalls. The rooftop screening is free of charge.

Thursday, 28 February 2019

Thailand Casino

Thailand Casino
Y Card
Beautiful 6th Oct
Anonymous street artist Headache Stencil's exhibition Thailand Casino opened on 24th February at WTF Gallery, and runs until 31st March. It includes Beautiful 6th Oct, a stencil of the vigilante from Neal Ulevich's famous photograph showing the lynching of a student on 6th October 1976. Most provocatively, "Y" Card depicts the king of spades playing card with the face of coup leader and current Prime Minister Prayuth Chan-ocha.

The exhibition's centrepiece is an installation featuring busts of Prayuth and former PM Thaksin Shinawatra playing a high-stakes poker game for the future of Thailand. The installation is replete with symbolic references to the country's political, royal, and military power structures. Prayuth is concealing the four of clubs and four of spades, a reference to his unlimited authority under article 44. The cards on the table include the nine of clubs (Rama IX) and ten of hearts (Rama X).

Behind Thaksin's bust is 8th Feb '19, a calendar marking the extraordinary day when one of Thaksin's proxy parties nominated Prince Ubolratana as its candidate for prime minister in the upcoming election. Prayuth's backdrop is a map of Thailand featuring the word โกง ('cheat'). Merchandise on sale at the gallery includes the election campaign slogan "STOP DICTATORSHIP", though as the exhibition makes clear, the game is rigged: while Thaksin has more chips (indicating his personal wealth), Prayuth has numerous hidden cards.

Wednesday, 27 February 2019

"contemptuous by reason of
it scandalising the Court..."

Herald Sun
The Director of Public Prosecutions (DPP) in the state of Victoria, Australia, has written to dozens of journalists, accusing them of contempt of court in relation to the trial of George Pell, a former Catholic archbishop accused of child abuse. Pell was convicted of five counts on 11th December last year, though the guilty verdict could not be reported by Australian media due to a gagging order imposed to prevent coverage potentially prejudicing a subsequent trial.

The reporting restrictions effectively amounted to a superinjunction, as even the existence of the gagging order could not be reported. On the day after Pell's conviction, the Sun Herald newspaper ran the banner headline "CENSORED" on its front page, describing the case in general terms as "a very important story that is relevant to Victorians." Similarly, other news outlets referred to the conviction of a high-profile figure on unspecified charges.

The restrictions were lifted yesterday, after Pell's second trial was dismissed, though DPP Kerri Judd warned journalists that they faced "substantial imprisonment" for contempt. In letters to individual reporters, she claimed that indirect coverage of the case had "a definite and real tendency to interfere with the administration of justice and therefore constitutes sub judice contempt, is contemptuous by reason of it scandalising the Court, and aided and abetted contempts by overseas media".