30 September 2010
Time Out Film Guide 2011
There are several appendices (a useful list of 100 film websites; a comprehensive index of directors; and a list of alternative titles, which strangely only includes European languages), and 19,000 capsule reviews. This year's new entries include: The Ghost Writer ("cold and lean"), Kick-Ass ("hyperfictional ultraviolence"), Shutter Island ("pure operatic delirium"), Bruno ("both repulsive and compelling"), Avatar ("beautifully designed" but "dire script"), The September Issue ("reveals a business in which looks can kill"), Drag Me To Hell ("gross-out fright movie"), and Ponyo ("vibrant, surreal and enchanting").
Time Out is the best of the annual film guides, and I buy it every year. (I reviewed the eighteenth edition earlier this year.) But I'll also hold on to my copy of the out-of-print Halliwell's Film Guide 2008.
The Faith Of Graffiti
29 September 2010
Fanzines
In their form and content, zines are similar to underground press titles such as Oz, though zines target niche audiences and are often written by individuals. The cottage-industry aspect of the format is evident in both zine production and distribution: zines are typically photocopied and stapled, promoted via classified advertising (or, until 1998, listed in Factsheet Five), and sold by mail order. Whereas early zines (such as Sniffin' Glue, featured in 100 Years Of Magazine Covers) were handwritten or typed on manual typewriters, more recent titles are produced via desktop publishing or published online.
I have a personal interest in zines, having written several of them in the 1990s: a monthly Madonna fanzine (called, incredibly unimaginatively, Madonna Monthly) and a cult-film zine (Disturbed). Of course, blogging and print-on-demand now provide further opportunities for self-published personal expression, and Fanzines might therefore be a timely archive of an endangered medium.
24 September 2010
The Essential 100
The Essential 100 films are as follows:
1. The Passion Of Joan Of Arc
2. Citizen Kane
3. L'Avventura
4. The Godfather
5. Pickpocket
6. Seven Samurai
7. Pather Panchali
8. Casablanca
9. Man With A Movie Camera
10. Bicycle Thieves
11. Ali: Fear Eats The Soul
12. 8½
13. Battleship Potemkin
14. Rashomon
15. Tokyo Story
16. The 400 Blows
17. Ugetsu Monogatari
18. Breathless
19. L'Atalante
20. Cinema Paradiso
21. Grand Illusion
22. Lawrence Of Arabia
23. Persona
24. Gone With The Wind
25. Sunrise
26. 2001: A Space Odyssey
27. Voyage In Italy
28. Amelie
29. City Lights
30. Star Wars IV: A New Hope
31. Sherlock Jr
32. The Rules Of The Game
33. The Leopard
34. La Dolce Vita
35. Train Arriving At A Station
36. The Wizard Of Oz
37. La Jetee
38. Vertigo
39. Night & Fog
40. Pulp Fiction
41. The Searchers
42. Slumdog Millionaire
43. The Conformist
44. City Of God
45. Taxi Driver
46. Apocalypse Now
47. Salo
48. The Seventh Seal
49. A Trip To The Moon
50. Metropolis
51. The Battle Of Algiers
52. In The Mood For Love
53. Viridiana
54. Life Is Beautiful
55. The Sorrow & The Pity
56. Pan's Labyrinth
57. Mme De...
58. Blade Runner
59. Through The Olive Trees
60. Children Of Paradise
61. Bringing Up Baby
62. Singin' In the Rain
63. Johnny Guitar
64. A Clockwork Orange
65. Memories Of Underdevelopment
66. M
67. Scorpio Rising
68. Psycho
69. Dust In The Wind
70. Schindler's List
71. Nashville
72. Crouching Tiger, Hidden Dragon
73. Wavelength
74. Jules & Jim
75. Chronique d'Un Ete
76. The Lives Of Others
77. Greed
78. Some Like It Hot
79. Jaws
80. Annie Hall
81. The Birth Of A Nation
82. Chungking Express
83. La Noire De...
84. Raging Bull
85. The Maltese Falcon
86. Chinatown
87. Andrei Rublev
88. Wings Of Desire
89. Videodrome
90. Written On The Wind
91. The Third Man
92. Blue Velvet
93. The Good, The Bad, & The Ugly
94. Breaking The Waves
95. A Nos Amours
96. Cleo From Five To Seven
97. All About My Mother
98. Earth
99. Oldboy
100. Playtime
18 September 2010
Art That Dares
Cherry's book focuses on painting and sculpture, though gay Christs have also appeared in other artistic media: a series of photographs by Fernando Bayone (Circus Christi), two films (Matthias von Fistenberg's Passio and Ed D Louie's He), a poem by James Kirkup (The Love That Dares To Speak Its Name), a lithograph by Enrique Chagoya (The Misadventures Of The Romantic Cannibals), a play by Terrence McNally (Corpus Christi), and a magazine illustration (Johnny Correa's Resurrection, in The Insurgent); also, in Jerry Springer: The Opera, Jesus admits: "Actually, I am a bit gay".
There have been exhibitions of intentionally blasphemous art in Dublin (Blasphemous) and Moscow (Caution: Religion! and Forbidden Art). S Brent Plate's book Blasphemy discusses the history of blasphemy in art, and Steven C Dubin's excellent book Arresting Images includes a chapter on the censorship of blasphemous art.
17 September 2010
The Fry Chronicles
As Fry explains in his introduction, the book explores "some of the C-words that have dominated my life", and every chapter title begins with 'c'. So, The Fry Chronicles is captivating, clever, and comical, though also a bit conventional.
07 September 2010
Thailand's Crisis
Ji states plainly what others don't dare to say. He can do this because he is living in exile in the UK, after his previous book, A Coup For The Rich, was accused of lèse-majesté. (The most controversial passages from A Coup For The Rich are included in Thailand's Crisis as an appendix.) However, there is no attempt at objectivity; for example, he claims that the editing of the controversial Abhisit audio clip "did not in any way distort what Abhisit actually said", whereas even the Prime Minister's critics admit that the tape was misleading.
There is surprisingly little commentary on the PAD's 2008 seizures of Government House and Suvarnabhumi airport or the 2009 Songkran riots. (The events of May 2010 occurred too late for inclusion.) Also, the drawbacks of self-publishing are apparent: Ji's spelling ("ice burg"), punctuation ("!!"), and italicisation are unconventional and distracting. Unfortunately, much of the material is not new: parts of chapters two and three, most of chapters one and five, and almost all of chapter four have been copied from A Coup For The Rich.
Made in Heaven
Koons refers to the Made in Heaven works as paintings, which implies that they’re hand-painted. In fact, they are photographic enlargements printed onto canvas. Regardless, nine of the images will be shown next month at the Luxembourg + Co. gallery in New York. Works from the series were also included in the recent Seduced and Pop Life exhibitions in London.
Made in Heaven was almost unprecedented in its pornographic imagery. Perhaps the only equivalent was a remarkable series of four self-portraits by Man Ray, photographed in 1929. Like Koons, Man Ray photographed himself with his muse (Alice Prin, also known as Kiki de Montparnasse), creating hardcore images that leave nothing to the imagination. They were included in 1929, a slim volume of poetry by Benjamin Péret and Louis Aragon, published surreptitiously in Belgium and seized by French customs officials. The photographs—Printemps (‘spring’), Eté (‘summer’), Automne (‘autumn’), and Hiver (‘winter’)—are very rarely reproduced, though they were included in the Barbican’s Seduced exhibition.
06 September 2010
Encyclopedia Of Early Cinema
The paperback edition has been very slightly expanded, with one new entry and minor revisions. More importantly, the paperback version makes the book accessible to a general audience, being significantly cheaper than the hardback edition (which was sold primarily to academic libraries).
03 September 2010
Spirits
The emphasis is on Thai ghosts, and their representation in films, comics, and commercials. Several props from Nonzee Nimibutr's Nang Nak are included. TCDC also commissioned a short documentary, That Spooky Atmosphere, featuring interviews with Nonzee and The Unseeable director Wisit Sasanatieng. (Nonzee introduced a screening of Nang Nak at the NETPAC Asian Film Festival last month, and The Unseeable will be screened at the Thai Film Archive later this month.)
A Journey
Blair admits that his suspicious-looking arrangement with Bernie Ecclestone was "a really stupid lapse of judgement"; that the expensive and underwhelming Millennium Dome was "in retrospect a mistake"; and that he should not have sacked Peter Mandelson once, let alone twice. Surprisingly, his biggest regret was passing the Freedom of Information Act: "I quake at the imbecility of it". (He still doesn't regret the invasion of Iraq, and there is no apology for the two misleading intelligence dossiers; he did feel "desperately sorry" after the brutal killing of Jean Charles de Menezes - but only "for the officers involved".)
Blair's account is informal (with too many exclamation marks) and surprisingly candid, with moments of comedy: Gordon Brown locked in the loo ("Withdraw from the contest or I'm leaving you in there") and John Prescott on the warpath ("Where's fookin' Menzies?"). It's also unavoidably one-sided. He is astonished, for example, that Labour leader John Smith considered appointing the Scottish Gordon Brown as deputy leader; naturally, he felt that he, rather than Brown, should be Smith's deputy, forgetting or ignoring that he is also a Scot. (Regarding the subsequent Labour leadership contest, there is no mention of the fabled Granita deal.)
A curious footnote: Blair begins the book by describing his meeting with the Queen on the day he became Prime Minister. According to his account, the Queen told him: "You are my tenth prime minister. My first was Winston [Churchill]". In The Queen, a fictionalised account of Blair and the Queen's relationship, she also uses precisely those words. The film's writer says that he invented the dialogue, and Blair says that he has never seen the film. So it's either an enormous coincidence, or the film had some extremely senior sources, or Blair is confusing fiction with fact.
02 September 2010
Daryl Cagle
Tears Of The Black Tiger
The Archive previously screened Tears Of The Black Tiger as part of its ภาพยนตร์ศรีศาลายา season last year. Wisit's short films (not screening at the Archive) include the music video เราเป็นคนไทย, the art film Norasinghavatar, and a segment of the anthology film Sawasdee Bangkok. He also designed the posters for the Bangkok International Film Festival in 2008 and 2009.
01 September 2010
The Third Man
Unlike Alastair Campbell, whose diaries were published in 2007, Mandelson spent long periods outside the heart of government. He may have been more influential than Campbell in shaping New Labour, though his two resignations (in 1998 and 2001) and his period as EU Commissioner (2004-2008) meant that he was periodically marginalised from Downing Street. Therefore, The Third Man focuses more on the (admittedly fascinating) twists and turns of Mandelson's political career than on the major policy decisions of the Labour government.
Mandelson's relationships with Tony Blair and Gordon Brown (the first and second men, with Mandelson as the Harry Lime figure) are a central preoccupation: his backing of Blair for the Labour leadership, his subsequent long-running feud with Brown, and finally his public comeback when Brown replaced Blair as Prime Minister. Most useful is his insider's account of this year's election and its aftermath, events which occurred too late for Andrew Rawnsley's otherwise comprehensive The End Of The Party.