05 May 2022

“The world’s smallest...”


Thumby

Earlier this year, TinyCircuits launched the Thumby, the smallest games console in the world, which has a ridiculously tiny ½" black-and-white OLED screen. Designed and manufactured in Ohio, the Thumby was inspired by the Nintendo Game Boy (model DMG-01) from 1989, though it’s a fraction of the size. The Game Boy Camera accessory was the world’s smallest digital camera in 1998, and NHJ’s Snap camera was advertised as such in 2004, though later microSD cameras such as JTT’s Chobi range (2011) and MHDYT’s mini camera (2019) are even smaller. (Unbranded Chinese copies of the Japanese Chobi cameras have model numbers Y2000 and Y3000.)

The smallest digital cassette formats were both developed by Sony: the NT (audio) in 1992, and the MicroMV (video) in 2001. In digital audio, the smallest MP3 players are those produced by Samsung (model YP-T5 from 2004), Apple (the iPod Shuffle from 2005), and MobiBLU (model DAH-1500i from 2005), though they lack in-built speakers. Various unbranded Chinese digital audio recorders have been advertised as the smallest in the world, though the Russian company Edic-mini’s premium Tiny models—notably the B22 (2012) and A31 (2009)—are smaller than all of them.

Miniaturisation was a key selling point for consumer technology long before the digital era, and there have also been similar trends in other fields, such as transport, though for very different reasons. There was a mid-century vogue for microcars and ‘bubble cars’, for example: the Messerschmitt KR200, BMW Isetta, and Austin Mini were popular following the 1956 Suez crisis, due to their fuel efficiency. The tiny Peel P50 was the smallest production car ever made, and at more than 100 miles per gallon, Peel claimed that it was almost cheaper than walking.

But technological miniaturisation isn’t primarily driven by economic factors. Instead, smaller gadgets are created because they’re more convenient, and because innovation makes them possible. Cameras, audio player/recorders, televisions, radios, and other analogue devices have been shrunk to pocket size thanks to the development of ever more complex transistors and integrated circuits, a trend that Gordon Moore noted in 1965. (‘Moore’s law’ states that processing power doubles every two years.)

Sony Ruvi

The most famous subminiature cameras, and those with the highest optical quality, were produced by Minox in Germany. Their first model, from 1936, had a heavy brass body coated with stainless steel. After World War II, Minox released the model A, which had the same design as the original, though its plastic chassis and aluminium shell made it lighter and cheaper. This was followed by the slightly larger model B, with an in-built light meter. The world’s smallest camera, the Petal, was released in Japan in 1947. This minuscule camera, made from chrome-plated brass, is barely larger than a coin. The original circular model was followed by the Everax A (engraved with a floral motif) and the octagonal Sakura Petal. In the 1950s, Tougodo’s Hit range became a generic term for all Japanese subminiature cameras (known in Japan as mame kamera or ‘bean cameras’), though the Hit and its imitators were all inferior copies of more advanced cameras produced by Jilona (the 1937 Midget), Akita (the 1939 Mycro), and Toyo (the 1948 Tone).

The world’s smallest movie camera, the Bolsey 8, was released in 1956. With its polished stainless steel body, this is a beautiful machine, and it’s smaller than any subsequent movie camera or camcorder. Sony’s Ruvi (model CCD-CR1), from 1998, is the smallest camcorder in the world. It used Hi8 videotape, in a reusable cartridge that also contained the tape mechanism. The Sony M-909 microcassette unit (1991) is often said to be the world’s smallest tape player/recorder, though Dictaphone’s picocassette Exec (model 4250) from 1985 was even smaller. Unlike the M-909, the Exec also has a built-in speaker. The picocassette is the smallest cassette ever made, and in 1987 Bandai produced the smallest tape cartridge, played in a Leadworks miniature Wurlitzer jukebox replica (model 1015).

Bolex 8 Petal

When it comes to handheld televisions, two manufacturers dominated the market: Sony and Casio. The Sony Watchman (model FD-210) was launched in 1982, with a black-and-white CRT screen, and Casio introduced the first LCD screen only a year later (model TV-10). In 1992, Casio’s CV-1 model was the smallest TV thus far, though it needed an external battery and an earpiece antenna. Seiko released its TV watch in 1982, a breakthrough in wearable technology with a tiny 1¼" screen, though it required a separate tuner unit and an earpiece antenna. (Model numbers—DXA-001 and DXA-002 in Japan; T001-5000 and T001-5019 elsewhere—varied according to which accessories were included.) Another TV watch, NHJ’s VTV-101 (and its European model, VTV-201) from 2004, also needed an earpiece antenna. The world’s smallest self-contained TV was released in China less than a decade ago, branded as both MyTech (model MT-101) and Leadstar (model LD-777).

The first transistor radio, Regency’s TR-1, was launched in the US in 1954, but Japanese radios quickly dominated the market after the release of Sony’s TR-63 in 1957. The TR-63 sold millions of units, and miniature Japanese transistor radios were hugely popular in the 1960s, a trend initiated by Standard’s Micronic Ruby (model SR-G430) in 1962. Various companies have staked their claim to ‘the smallest radio in the world’. In 1953, in the immediate pre-transistor era, the Emerson model 747 tube set was accurately advertised as the smallest radio. The same claim was made for two crystal sets—Midway’s Tinytone (1955) and Planatair’s model 76404 (circa 1960)—and Sinclair’s Micromatic transistor unit (1967), though all lacked in-built speakers. (The Micromatic design was copied by the Canadian firm Clairtone in 1968.) The Motz (2010) range of tiny wooden radios and MP3 players made in Korea by Pyramid are smaller than all of these, and they include speakers.

Minox A

The smallest record players were sold as toys. The Poynter toy company released its Mighty Tiny children’s record player in 1967, promoted as the world’s smallest. Then, in 1987, the same company beat its own record, with a miniature plastic replica Victrola gramophone. The Soundwagon, made in Japan by Tamco (based on a 1976 Sony design), was sold as a toy, though the packaging for its 2018 relaunch—Stokyo’s Record Runner, also made in Japan—states that it’s not suitable for children. (It also includes a disclaimer that the product may scratch records—these devices were nicknamed ‘vinyl killers’, with good reason.) The Record Runner was promoted as the world’s smallest record player, though it’s bigger than Poynter’s Victrola. The smallest records in the world were produced almost a century ago, in 1924, for Queen Mary’s doll’s house. These 1⅓" shellac discs were played on a unique 1:12 replica HMV gramophone.

02 March 2022

Homeland


Homeland

Rap Against Dictatorship released their latest music video, Homeland (บ้านเกิดเมืองนอน), yesterday. The song begins with a verse by Liberate P highlighting the generational divide between the nationalist establishment and the progressive youth movement. This is summarised by an algebra metaphor with a double meaning: “a negative X in a formula with a positive Y”.

Hockhacker (making a welcome return to the group, after taking time out to start a family) refers to a “village chief executive”, using ‘village’ as a microcosm. The song is even more confrontational than Rap Against Dictatorship’s previous single, Reform (ปฏิรูป), including insults such as “psychopath”.

There is also a line about the 6th October 1976 massacre, with Thailand described as “this land where they swing chairs on faces”. This is Rap Against Dictatorship’s fourth reference to the massacre, after their videos for Burning Sky (ไฟไหม้ฟ้า), To Whom It May Concern (ถึงผู้มีส่วน เกี่ยวข้อง), and My Country Has (ประเทศกูมี).

28 December 2021

Long Live the People


Long Live the People

Thai band Dezember released their new single, Long Live the People, on Christmas Eve, and the accompanying music video on Christmas Day. The title and one of the lyrics—“จำเอาไว้เราไม่ใช่ฝุ่น” (‘remember, we are not dust’)—both come from a speech by Parit Chirawak at Sanam Luang on 20th September last year. The video ends unambiguously with a falling guillotine blade.

The lyrics also include “ขอเวลาอีกไม่นาน” (‘give us a little more time’), a line from Returning Happiness to the Thai Kingdom (คืนความสุขให้ประเทศไทย), a propaganda song released by the junta. Chulayarnnon Siriphol used the same line as the title of a video installation and exhibition catalogue, and it was sampled by Thunska Pansittivorakul in his documentary Homogeneous, Empty Time (สุญกาล).

Another lyric from Long Live the People, “7-8 ปีแล้วนะไอ้สัตว์” (‘it’s been 7-8 years, ai hia’), is essentially an update of the 2018 concert title จะ4ปีแล้วนะไอ้สัตว์ (‘it’s been 4 years, ai hia’). In both cases, ai hia is a strong insult aimed at the Prayut Chan-o-cha.

21 December 2021

แบบเรียนพยัญชนะไทย ฉบับการเมืองไทยร่วมสมัย



แบบเรียนพยัญชนะไทย ฉบับการเมืองไทยร่วมสมัย (‘Thai consonant textbook: contemporary politics edition’), PrachathipaType’s parody of an alphabet picture book, was launched at the Bangkok Art Book Fair last month. (In an installation at CityCity Gallery, people sat at wooden desks and posed as students reading copies of the book.) The project is a collaboration with Rap Against Dictatorship, who released a song—กอ เอ๋ย กอ กราบ (‘k is for krap [prostration]’)—and animated video based on PrachathipaType’s illustrations. (The song’s lyrics are printed at the back of the book.)

Each of the forty-four Thai consonants is represented by images satirising the government, the monarchy, and the justice system. Specific themes include mismanagement of the coronavirus pandemic, state budget allocations, and the Constitutional Court’s dissolution of popular political parties. Thammanat Prompao, surely the most disreputable Thai politician in recent memory, is namechecked for his insistence that the 3kg of heroin he was convicted of smuggling into Australia was actually flour. (Incredibly, the Constitutional Court ruled that he could still serve as a cabinet minister, as his crime was committed outside Thailand.)

05 December 2021

Next Love


Next Love Next Love
Next Love Next Love

The music video for Badmixy’s single Next Love was released this week. In the video, a birthday party (filmed surreptitiously) is being held for a rich man at his poolside, and a succession of women are competing for his affections. The first lady, who has a rather ample figure, is supplanted by one wearing a G-string posing next to a poodle. Another wears a sash proclaiming her ‘Miss Nan’ (from a fictional beauty pageant in that province). All of this may—or may not—have a coded meaning.

The video has been viewed more than half a million times on YouTube already, though satirical content such as this is becoming increasingly risky. Also this week, Warunee Weerasak was charged under the lèse-majesté law and the Computer Crime Act, after posting a Photoshopped image of the Emerald Buddha statue wearing a dress designed by Princess Sirivannavari on Facebook on 24th November. She was arrested on 2nd December, and has been released on bail.

17 November 2021

“I am not a shock artist...”


Brass Against

Florida police are investigating Sophia Urista after she urinated on stage on 11th November during a performance at the Welcome to Rockville festival in Daytona. Urista, lead singer with Brass Against, was performing a cover of Rage Against the Machine’s Wake Up when she told the crowd that she needed to pee. She then invited a volunteer onto the stage, squatted over his face, and urinated over him.

Today, Urista tweeted an apology: “I have always pushed the limits in music and on stage. That night, I pushed the limits too far.” She also insisted that the performance was not only for shock value: “I am not a shock artist. I always want to put the music first.”

video

12 November 2021

อนาคตคือ


A Na Kod Keu

In the music video for their new single อนาคตคือ (‘the future is...’), Milli and Youngohm play high school sweethearts who are bullied by their classmates and, in a virtual reality simulation, they find themselves surrounded by tear gas and captured by riot police. The video, directed by Putiroj Devakul, also includes split-second images of recent anti-government protests, at which the police have also deployed tear gas.

Thai students have numbers embroidered on their uniforms, though the numbers in the video all have political significance. Milli’s number is 393, the section of the criminal code that forbids public insults. (She was fined ฿2,000 after insulting Prayut Chan-o-cha on Twitter, and the song includes the ironic lyric “I love you two thousand”.) Youngohm’s number, 113, refers to the law against overthrowing the government. The respective numbers of the two school bullies, 010 and 250, refer to a regnal number and unelected senators (250 of whom were appointed by the junta).

Filmmaker Thunska Pansittivorakul has also used numbers on clothing as a political code. In his music video Remember (วน), a man wears a jumpsuit with the number 1721955, a reference to 17th February 1955, the date when three men were executed for the murder of King Rama VIII. In his new film Danse Macabre (มรณสติ), two men have the numbers 1702 and 1955 on their respective running shorts.

10 November 2021

Simply the Best: The Tina Turner Story


Simply the Best Simply the Best

A lawsuit brought by Tina Turner against a tribute act has now reached the Federal Court of Justice, Germany’s highest criminal court. Turner sued the producers of Simply the Best: The Tina Turner Story (Die Tina Turner Story) last year, arguing that the show’s poster falsely implied that Turner herself was the star of the show.

Turner won her case in the Regional Court of Cologne, prompting the producers to add the words “Starring Dorothea Fletcher” to the poster, to avoid any ambiguity. That judgement was then overturned by the Higher Regional Court, and in his preliminary remarks, Federal Court judge Thomas Koch endorsed the Higher Regional Court’s decision. The final verdict is not due until next year.

09 October 2021

Madame X:
Music from the Theater Xperience


Yesterday, Madonna released a concert film and live album, edited from a dozen performances of her Madame X Tour in Portugal. Although the Madame X album was available in a range of formats, the Madame X Tour is the first Madonna tour without a physical release. Instead, the film is streaming on Paramount+ and being broadcast on MTV, and the album is available on the major music streaming platforms.

The album track listing is: God Control, Dark Ballet, Human Nature (followed by an a cappella version of Express Yourself), Vogue, I Don’t Search I Find, American Life, Batuka, Fado Pechincha, Killers Who Are Partying, Crazy, Welcome to My Fado Club (incorporating La Isla Bonita), Extreme Occident, Rescue Me (a pre-recorded spoken interlude), Medellín, Frozen, Come Alive, Future (with a new second verse), Like a Prayer, and I Rise. Two songs from the tour—Sodade and Crave—are not included.

07 October 2021

Sun Rises When Day Breaks


Sun Rises When Day Breaks Kraipit Phanvut

The Thai band View from the Bus Tour released their new single Sun Rises When Day Breaks (ลิ่วล้อ) on 5th October, an appropriate date as it was written in support of the 5 ตุลาฯ ตะวันจะมาเมื่อฟ้าสาง (‘5th Oct.: sun rises when day breaks’) campaign and uses the campaign’s slogan as its English title. The song is one of several commemorating the 45th anniversary of the 6th October 1976 massacre.

The music video for Sun Rises When Day Breaks begins with a recreation of an iconic news photograph from the massacre - not the ubiquitous image of a man hitting a corpse with a chair, but instead a photo by Kraipit Phanvut showing a police colonel (Salang Bunnag) aiming his pistol while nonchalantly smoking a cigarette. Director Anocha Suwichakornpong restaged the same photo at the start of her film By the Time It Gets Dark (ดาวคะนอง), and it has also been reappropriated by artists such as Headache Stencil.

22 September 2021

Luk Thung:
The Culture and Politics of Thailand’s Most Popular Music


Luk Thung: The Culture and Politics of Thailand’s Most Popular Music, by James Leonard Mitchell (published in 2015), is the first English-language study of luk thung, a genre that’s usually characterised as Thai country music. Luk thung takes its name from a 1964 television show, and this period was the genre’s golden age, mostly due to the popularity of Suraphon Sombatcharoen—“the King of Thai Country Song”, whose most famous single was สิบหกปีแห่งความหลัง (‘sixteen years past’)—and the success of the blockbuster musical film Monrak Luk Thung (มนต์รักลูกทุ่ง).

Mitchell’s revisionist history covers the genre’s origins in Isaan during the Phibun and Sarit era, when “censorship combined with better economic conditions encouraged songwriters... to abandon social commentary and move into writing commercial and sometimes nationalistic luk thung.” These included a series of stridently nationalistic songs such as เขาพระวิหารต้องเป็นของไทย (‘Preah Vihear Temple must be Thai’), protesting the 1962 judgement that the Preah Vihear Temple was part of Cambodian soil.

The book concludes with an account of the politicisation of luk thung by the red-shirts and yellow-shirts, and provides a detailed analysis of the pro and anti-Thaksin songs played at their respective protest rallies. This final chapter (expanded from Mitchell’s excellent journal paper Red and Yellow Songs) is both a fascinating study of popular culture as propaganda, and a groundbreaking recognition of luk thung’s political dimension. It also situates luk thung within the tradition of Thai ‘songs for life’ following the 14th October 1973 uprising (a tradition that continues today with protest songs in support of the anti-government movement).

10 August 2021

No God, No King, Only Humans


No God, No King, Only Humans No God, No King, Only Humans

The young Thai rapper Elevenfinger has released an album on CD to raise money for those affected by the coronavirus pandemic. The lack of sufficient welfare support or vaccine provision from the government has left many Thais in dire straits, and Elevenfinger will donate the proceeds from No God, No King, Only Humans (ไม่มีพระเจ้า ไม่มีกษัตริย์ มีแค่เพียง มนุษย์ เท่านั้น) to his local community in Khlong Toei.

The album is limited to 100 copies, each signed by the artist. It includes his single เผด็จกวยหัวคาน (‘get rid of the dickhead’), a no-holds-barred condemnation of Prayut Chan-o-cha and others in authority.

รุ้ง


This morning, The Commoner released their new single, รุ้ง (‘rainbow’). The title is Panusaya Sithjirawattanakul’s nickname, and the song is a tribute to her on the first anniversary of her speech calling for reform of the monarchy. (Booklets that reprinted the speech were later seized by police.)

The song’s lyrics highlight the moment when Panusaya broke a longstanding taboo by reciting the protesters’ ten-point manifesto: “คืนที่รุ้งทลายเพดาน” (‘the night when Rainbow shattered the ceiling’). The music video is mostly animated, with drawings of yellow ducks (symbolising the protesters) and riot police. A monstrous spider, with a recognisable face, makes a brief appearance.

The band’s EP สามัญชน (‘commoner’) was released in 2019. Panusaya performed guest vocals on their single Commoner’s Anthem (บทเพลงของสามัญชน) earlier this year. She also appeared in Paeng Surachet’s music video กล้ามาก เก่งมาก ขอบใจ (‘very brave, very good, thank you’).

Today marks the first anniversary of her speech. On Monday, another core protest leader, Arnon Nampa, was charged with lèse-majesté following a speech he gave on 3rd August marking the first anniversary of a rally he organised. Arnon was denied bail, along with several other protest leaders (including Parit Chirawak and Panupong Jadnok) who were also arrested over the past few days.

27 July 2021

Tetra Hysteria Manifesto


Tetra Hysteria Manifesto was released last week on cassette by Chinabot. The album includes a new track by Pisitakun Kuantalaeng, 18.05.2010, which features audio of military gunfire recorded (as its title suggests) on 18th May 2010 and a man desperately calling out for a nurse to attend to the casualties.

Abhisit Vejjajiva authorised the use of live ammunition by the army for its violent suppression of red-shirt protesters. Pisitakun’s 10 Year: Thai Military Crackdown [sic], shown at the Conflicted Visions Again exhibition, included a poster documenting the victims who were shot on 18th May 2010. His album Absolute Coup was released on cassette by Chinabot last year. (Tetra Hysteria Manifesto celebrates Chinabot’s fourth anniversary.)

03 June 2021

“Do you hear the people sing?”

Reform
The Commoner
Ta Lu Fah
Paeng Surachet
In 2018, Rap Against Dictatorship’s single My Country Has (ประเทศกูมี) encapsulated the frustrations of anti-coup protesters. In 2020, when the protests expanded to include calls for reform of the monarchy, the band released Reform (ปฏิรูป), a song whose lyrics address Prayut Chan-o-cha and King Rama X directly. (Lines such as “pawns have a king captured” in the song’s official English translation are even more blunt than the Thai original.)

The video for Reform—blocked by the government on YouTube—was filmed at Siam Square in Bangkok on 16th October 2020, and includes footage of riot police using water cannon to disperse the protesters. The music video for Elevenfinger’s เผด็จกวยหัวคาน (‘get rid of the dickhead’) was also filmed during the protests, and is even more confrontational than Reform. Elevenfinger hurls insults at Prayut and others, and lyrics such as “ละควรรีบๆตาย” (‘hurry up and die’) are as subtle as a brick through a window.

The lyrics of another recent song are addressed directly to Rama X: Paeng Surachet’s กล้ามาก เก่งมาก ขอบใจ (‘very brave, very good, thank you’). Its title is an ironic appropriation of a comment made by the King to one of his supporters during a walkabout on 23rd October 2020, and its lyric video features animated yellow ducks in reference to the inflatable ducks used by protesters to protect themselves from water cannon.

Paeng’s song takes the form of a breakup message to an unfaithful lover, with lines such as “ประนีประนอมได้ไหม ไม่ compromise นะถ้าทำตัวเเบบนี้” (‘Can we compromise? No, I won’t compromise if you behave this way’). ‘Compromise’ is a reference to a comment by the King on another walkabout: on 2nd November 2020, he told a reporter that “Thailand is the land of compromise.” Paeng later released a music video for the song, featuring protest leaders Panusaya Sithjirawattanakul and Parit Chirawak in angel costumes.

Panusaya and Parit also performed guest vocals on a new version of The Commoner’s track Commoner’s Anthem (บทเพลงของสามัญชน), released last month with a music video featuring footage of pro-democracy protests. (Parit was recently hospitalised after going on hunger strike for forty-six days, and was released on bail on 11th May; Panusaya was bailed on 6th May.) The Commoner’s video คนที่คุณก็รู้ว่าใคร (‘you know who’) also features protest footage, and Parit and Panusaya are name-checked in the lyrics of Hockhacker’s song Pirates (โจรสลัด).

Protesters have also reappropriated existing songs. Do You Hear the People Sing? (from the stage musical Les Misérables) was sung at several of last year’s protests in place of the national anthem. Chaiamorn Kaewwiboonpan performed his hit single 12345 I Love You at a protest near Bangkok’s Democracy Monument on 14th November 2020, leading the crowd in chants of “ai hia Tu” instead of “I love you” during the chorus. (Ai hia is a strong insult, and Tu is Prayut’s nickname.) Chaiamorn was released on bail on 11th May, after burning a portrait of Rama X outside Bangkok’s Klongprem prison on 28th February.

Chaiamorn also performed 12345 I Love You outside Thanyaburi Provincial Court on 14th January, with Phromsorn Weerathamjaree, leading to lèse-majesté charges being filed against both of them. Whereas Chaiamorn usually sang Prayut’s nickname during the chorus, at Thanyaburi they used a nickname for the King instead. Phromsorn was also charged with lèse-majesté for singing three traditional royalist songs at the same event—สดุดีมหาราชา (‘praise the King’), ต้นไม้ของพ่อ (‘father’s tree’), and ในหลวงของแผ่นดิน (‘the king of the land’)—which he performed with altered lyrics.

Ai hia Tu” also appears in the lyrics of Rap Against Dictatorship’s latest single, Ta Lu Fah (ทะลุฟ้า), and another line—“Burn this image”—is also a reference to Chaiamorn. The ‘sky’ in the title is metaphorical, and the lyrics refer indirectly to “someone in the sky. Fuck knows he’s alive.” (This is a reference to a recent rumour that went viral online.) The music video, directed by Teeraphan Ngowjeenanan, includes footage of recent REDEM protests, which also feature in the lyrics (“Gunshots from the police as REDEM marches in line”).

01 June 2021

Cunts

Cunts
Cunts, the Los Angeles punk band who began playing live in 2018, released their self-titled debut album, Cunts, in 2019. The album is available on vinyl and CD. Cunts are by no means the first band to use the c-word in their name: there is also a band called The Cunts, and others include Anal Cunt, Selfish Cunt, Rotten Cunt, Cuntsaw, Märy’s Cünt, Cunt Grinder, Filthy Maggoty Cunt, and Prosthetic Cunt.

20 April 2021

Lets Kill

Thai experimental noise band Gamnad737’s album Lets Kill [sic] includes several tracks with anti-government titles: Kill the Government, Kill the Dicktatorship, and Kill the Section 44. Section 44 is a reference to article 44 of the interim constitution, which granted absolute power to the 2014 military junta. Similarly, P9d’s rap album RAW Jazz Effect includes the track Section 44, which begins with the unambiguous line “Fuck the section 44”.

Lets Kill is available on cassette and CD, and in a unique CD edition splattered with founding member Arkat Vinyapiroath’s blood. (The blood-splattered edition also comes complete with two vials of Arkat’s blood, and it remains unsold almost three years after its release.) Gamnad737’s latest release is the Drilling Technique cassette EP (which includes a grisly photo of a Jeffrey Dahmer victim). Arkat is also the bassist for thrash metal band Killing Fields, whose most recent EP is Death to Dictator.

Death to Dictator

Death to Dictator
Death to Dictator, the latest EP by Thai thrash metal band Killing Fields, was released last year on cassette. The cover illustration, by Slaughterhouse21, depicts the skeleton of the army chief with a bullet hole through his head, and a cobwebbed Democracy Monument. The Monument has appeared on several previous album covers, such as the สามัญชน (‘commoner’) EP by The Commoner, ดอกไม้พฤษภา (‘May flower’) by Zuzu, and the compilation ตุลาธาร ๑๔ คน ๑๔ เพลง ต้องห้าม (‘14th October: 14 artists, 14 forbidden songs’).

The Death to Dictator EP includes a live version of 6th October, a track from the band’s previous album, Gigantrix Extinction. The cassette features the Dolby logo, though this is presumably an error, as Dolby noise reduction is no longer licensed to cassette releases. Bassist Arkat Vinyapiroath is also the founding member of experimental noise band Gamnad737.

23 August 2020

Levitating

Levitating
The Dua Lipa song Levitating has been remixed by The Blessed Madonna (DJ Marea Stamper’s stage name), and features guest vocals by Madonna and Missy Elliot. The remix was released earlier this month as a one-sided 12” single on The Blessed Madonna’s record label, We Still Believe. It also appears on Dua Lipa’s digital remix album Club Future Nostalgia.

Madonna and Missy Elliott previously collaborated on Into the Hollywood Groove, recorded for clothing store Gap. (While Madonna sang excerpts from her singles Hollywood and Into the Groove, Elliott was reduced to rapping about how much she loved her Gap jeans.) They also performed together at the 2003 MTV Video Music Awards.

16 August 2020

Radflection

Thesis Exhibition 2020
Radflection
Radflection, a short documentary about Rap Against Dictatorship, was shown yesterday at Lido Connect in Bangkok, as part of Silpakorn University’s Faculty of Information and Communication Technology Thesis Exhibition 2020. The event, titled สุดขอบคุณ (‘thank you’), continues today.

Rap Against Dictatorship’s anthemic single and music video My Country Has (ประเทศกูมี) perfectly encapsulated the frustrations of anti-military protesters. Radflection, directed by Patchamon Khemthong, also includes an interview with Neti Wichiansaen, director of the controversial documentary Democracy After Death (ประชาธิปไตยหลังความตาย).