
Each film has a double-page spread, with a single paragraph of rather simplistic text opposite a glossy full-page photograph. The photos are the book’s only redeeming feature, though their quality is variable: the stills and posters are well-reproduced, though many are merely DVD covers and one (The Unforgiven) is from the wrong film. The book is not recommended, and is included here only in the interests of completism, as Dateline Bangkok reviews every greatest-film list available in print.


