Cinema Explicito

Cinema Explicito: Representacoes Cinematograficas Do Sexo, by Rodrigo Gerace, is a study of the cinematic representation of sex, especially the depiction of unsimulated sex in experimental and arthouse films. It's a comprehensive treatment of the topic, with an attractive design, though it covers much the same ground as Screening Sex, by Linda Williams, which is the definitive book on the subject.

The Attention Merchants

In The Master Switch, Tim Wu highlighted the dangers of the oligopolisation of entertainment and communication. His new book, The Attention Merchants: The Epic Scramble To Get Inside Our Heads, is similarly wide-ranging, analysing the symbiotic relationship between advertising and the media. Wu's title, The Attention Merchants, positions itself as a successor to The Hidden Persuaders, Vance Packard's early and influential critique of manipulative advertising.

Wu is as critical of advertising as Packard, emphasising its detrimental impact on the commercial media and entertainment it sustains, from the penny press to prime-time broadcasting and clickbait: "The attention merchant had always tried to reach as broad an audience as possible, bombarding them with as many ads as they'd stand before going into total revolt." (Mark Tungate's Adland is a more favourable history of the advertising industry.)

The 4th Silent Film Festival In Thailand

The 4th Silent Film Festival In Thailand will take place in Bangkok next month. As in previous years (2014, 2015, and 2016), the Festival will feature a week of screenings at the Lido and Scala cinemas. The highlight of this year's Festival is The Mark Of Zorro, which will be screened at Lido on 9th and 11th June, with live musical accompaniment by acclaimed composer Neil Brand.

The Mark Of Zorro was directed by Fred Niblo, who also made the silent version of Ben-Hur. Starring Douglas Fairbanks, Zorro was one of the first adventure films featuring a swashbuckling hero. Fairbanks would play several similar characters in subsequent films throughout the 1920s (including Robin Hood, The Three Musketeers, The Thief Of Bagdad, and The Black Pirate), influencing Errol Flynn's performances in adventure films of the 1930s (Captain Blood and The Adventures Of Robin Hood).

The Festival opens on 8th June and closes on 14th June. The will be a photographic exhibition at Scala, Light & Shadow: Films Of The Weimar Republic, for the duration of the Festival.

Bangkok Screening Room

Later this month, Bangkok Screening Room will be showing John Ford's classic western, Stagecoach, the film that revived the Hollywood western and established many of the genre's modern conventions. Orson Welles claimed that he watched Stagecoach every night for a month, while he was preparing to direct Citizen Kane, his first film. Citizen Kane, arguably the most influential film ever made, will be shown at Bangkok Screening Room next month.

Stagecoach will be shown on 30th and 31st May; and 1st, 2nd, 3rd, 4th, 7th, 9th, 10th, 11th, 14th, 15th, 17th, and 18th June. Citizen Kane will be screened on 6th, 7th, 8th, 9th, 10th, 11th, 15th, 16th, 17th, 18th, 20th, 21st, and 24th June.

Woman's Day

Actress Rebel Wilson has given evidence at the Supreme Court of Victoria in Australia, after she sued the publisher of Woman's Day magazine for defamation. In its 25th May 2015 issue (published on 18th May 2015), Woman's Day revealed Wilson's real name, and claimed that she had lied about her age.

The magazine quoted a high school classmate's description of Wilson: "Her name is – or was – Melanie Elizabeth Bownds, and she's 36 – she was born in 1979 and we left school in 1997." The article also included photographs of Wilson from her high school yearbook.

Wilson launched her lawsuit on 16th May last year, and the article was deleted from the Woman's Day website on the same day. In the magazine's print edition, the article was headlined "Just who is the REAL Rebel?"

(Un) Happy Birthday

Democracy Restoration, a new pro-democracy group, held a seminar marking the third anniversary of the 2014 coup yesterday and today. (Un) Happy Birthday, at Thammasat University in Bangkok, was subject to several restrictions imposed by the military government.

Participants were not permitted to use the words 'coup' or 'dictator', and they were not allowed to refer to the junta by name. The poster for the event was censored to remove the Thai abbreviation for the NCPO ("คสช"). To circumvent the restrictions, several speakers held up placards containing the banned words during their speeches.

Similarly, when an army spokesman participated in a discussion at the FCCT in Bangkok shortly after the coup, he asked participants to refer to the coup euphemistically as an "intervention". After initially pledging to hold an election in 2015, the junta has repeatedly delayed its 'roadmap', and an election is not realistically expected until 2018 or later.

Thailand's Political History

The second edition of Thailand's Political History, by BJ Terwiel, was published in 2011 with a new subtitle (From The 13th Century To Recent Times). This edition contains new chapters on Thailand's political origins (the Sukhothai era) and contemporary events (the PAD protests, the nullification of the 2006 election, the 2006 coup, the disqualification of Prime Minister Samak, the dissolutions of TRT and the PPP, the UDD riots, the redshirt protests, and the 2010 military massacre).

Terwiel, who has been writing about Thai history for forty years, takes a refreshingly skeptical view of the nationalistic accounts of early Thai history, which he calls "national myths." He debunks some of these legends in his opening chapter: "Some of these national scenarios were spectacular indeed and since they were flattering and generated pride in their nation they found their way into the standard history books and became part of national propaganda."

For example, Terwiel compares six different accounts of King Naresuan's elephant duel. While the objective truth remains lost in the mists of time, emphasising that these events are open to multiple interpretations is significant in itself: "It is doubtful whether anyone will unravel the details of this battle in a decisive way. Suffice to say that The Royal Chronicle version, which has had a monopoly in Thai history writing, is only one version among many."

The book's priorities are occasionally questionable - Thaksin Shinawatra's first term as Prime Minister is covered in only two paragraphs, followed by six paragraphs devoted to the 2004 tsunami -
and Terwiel's writing style is sometimes a bit clunky, especially in the new chapters. But the content is always fascinating. For instance, Terwiel hints that King Rama VI had "a decided preference for male company" and was "a confirmed bachelor who relaxed only within a circle of intimate male friends who readily accepted him."

What sets this apart from other histories of Thailand is its comprehensive treatment of the yellow-shirt and red-shirt protest movements. Terwiel provides a detailed chronology of the period from 2007 to 2010, and his account has the necessary objectivity missing from pro-yellow (The Simple Truth) and pro-red (A Kingdom In Crisis) interpretations. The book is also well illustrated, and has detailed footnotes and an extensive bibliography.

The Nation

Myanmar Pongpipat, a Thai mining company, has filed a defamation lawsuit against The Nation and one of its journalists, Pratch Rujivanarom. The newspaper published an article by Pratch on 1st March (headlined "Thai mine 'destroyed Myanmar water sources'"), quoting local residents who claim that the company's Heinda tin mine has polluted the Myaung Pyo River in Burma.

The article appeared to endorse the claims, which it inappropriately presented as facts rather than allegations: "Tailings from the mine have drained directly into the river for many years, clogging it with a large amount of sediment and contaminating the village's water sources with heavy metals from the mine." Also, it didn't include a statement from the mining company, and there is no indication that the journalist even contacted the company before publication.

The Bangkok Post newspaper's Spectrum supplement ran a cover story on the mine on 19th March. The Spectrum article quoted residents complaining about the mine's impact, though unlike The Nation it distanced itself from the claims, treating them as allegations rather than facts. Also in contrast to The Nation, Spectrum included a lengthy statement from the MPC managing director, who "rejected accusations that the company had caused the water contamination."

The company's lawsuit against Pratch and The Nation accuses them of defamation and violation of the Computer Crime Act, as the article was also published on the newspaper's website. Defamation (like lese majeste) is a criminal offence in Thailand. Last year, the Tungkum mining company lost a defamation case against Thai PBS for reporting that a mine had caused water pollution in Loei, Thailand.

Alien: Covenant

Alien: Covenant is Ridley Scott's sequel to Prometheus, and both films are prequels to Scott's original classic, Alien. After a prologue featuring Guy Pearce minus his old-age Prometheus make-up, Covenant has more in common with the original Alien, to the extent that it feels like a retread of the earlier film. (It also has references to Scott's Blade Runner, including the line "That's the spirit!" used in similar circumstances, and alien POV shots inspired by It Came From Outer Space.)

Covenant's action takes place several years before Alien's storyline, though Alien really needs to be seen first, not for narrative reasons but to fully appreciate the original 'chestburster' sequence. In that respect, Prometheus and Covenant are similar to the (inferior) Star Wars prequels: they provide convoluted and largely unnecessary backstories, they depict 'older' worlds that paradoxically seem more advanced, and they disclose the plot twists in the earlier films.

Covenant's final revelation, involving Michael Fassbender's two characters, was far too predictable. (Revealing it to the audience sooner would have led to more Hitchcockian suspense.) Covenant benefits from Scott's typically superb production design and cinematography, though ultimately it's Alien without the tension or (Fassbender excluded) the depth of character.

The Art Of The Hollywood Backdrop

The Art Of The Hollywood Backdrop, by Richard M Isackes and Karen L Maness, is a history of Hollywood studio backdrops (scenic trompe l'oeil backgrounds). There have been a few books on related aspects of film-making, such as matte paintings (The Invisible Art, by Mark Cotta Vaz and Craig Barron) and production design (Caligari's Cabinet & Other Grand Illusions, by Leon Barsacq; and Designs On Film, by Cathy Whitlock), though this "DEFINITIVE HISTORY" (as the back cover justifiably proclaims) is the first survey of film backdrops.

Whereas theatrical backdrops are often stylised, cinematic backings are (like matte paintings) designed to deceive the audience: to create a realistic 2D simulation of a 3D environment. As the authors explain, "backings created for the movies of Hollywood were rarely recognized for what they were - nor was that their purpose. These special effect backings, the largest paintings ever created, were breathtaking in their artistic and technical virtuosity." (In this respect, they are also related to painted Victorian panoramas.)

Aside from double-page photographs of Georges Melies and Fritz Lang, The Art Of The Hollywood Backdrop is devoted entirely to films from the American studio system. A 100-page introduction traces the development of the Hollywood backdrop during the first 100 years of cinema, and subsequent chapters profile individual backdrop artists. This is a substantial and comprehensive book, lavishly presented in a slipcase. It has 300 illustrations, many of which are stunning full-page photographs.

Puppetry: A World History

Puppetry: A World History, written by Eileen Blumenthal and published by Abrams, is the first comprehensive global survey of puppetry. It includes 300 striking photographs, and features puppetry as tribal ritual (African fertility dolls), children's entertainment (Punch and Judy; Kermit the Frog), and even political satire (Spitting Image). The book was published in the UK by Thames & Hudson, under the alternative title Puppetry & Puppets: An Illustrated World Survey.

The Meaning Of Life

Irish police have announced that they are investigating a complaint of blasphemy in relation to comments made by Stephen Fry in a television interview. The interview, for an episode of The Meaning Of Life, was broadcast by RTE One on 1st February 2015.

In the programme, presenter Gay Byrne asked Fry what he would say to God if there was an afterlife. Fry, who has been a life-long atheist, didn't mince his words: "I'll say, 'Bone cancer in Children? What's that about? How dare you! How dare you create a world in which there is such misery that is not our fault. It's not right, it's utterly, utterly evil. Why should I respect a capricious, mean-minded, stupid God who creates a world which is so full of injustice and pain?'"

Irish law states that anyone who intentionally "publishes or utters blasphemous matter" is guilty of criminal defamation. The 2009 Defamation Act defines "blasphemous matter" as "grossly abusive or insulting in relation to matters held sacred by any religion, thereby causing outrage among a substantial number of the adherents of that religion," though there are exemptions for content of "literary, artistic, political, scientific, or academic value".

The law of blasphemy was abolished in the UK in 2008. Famously, in 1977, the editor of Gay News was prosecuted for blasphemous libel after he published James Kirkup's poem The Love That Dares To Speak Its Name. Extracts from the poem subsequently appeared in Socialist Challenge magazine (14th July 1977); The Observer newspaper (17th July 1977); Geoffrey Robertson's memoir, The Justice Game (1998); Bound & Gagged, a history of obscenity by Alan Travis (2000); and an episode of Joan Bakewell's TV series Taboo (12th December 2001).

"Delete the picture..."

A commemorative plaque has been removed from its position in Bangkok's Royal Plaza. The brass plaque commemorated Thailand's transition from absolute to constitutional monarchy in 1932, and was a symbol of Thailand's democratic revolution. It has now been replaced by a new plaque with an inscription promoting prosperity and happiness.

The original plaque was installed in 1936, next to a statue of King Rama V. Apart from a hiatus from 1960 to 1963, it had remained in place until approximately one month ago, when it was removed by persons unknown. The plaque's current whereabouts, and the reason for its replacement, have not been revealed. According to the Bangkok Metropolitan Authority, the CCTV cameras in the area were not operational when the plaque was removed.

Early last month, the plaque's removal generated plenty of critical comments on social media. However, that debate has since died down, as the military government has discouraged any commentary on the issue. A panel discussion on the subject, which had been due to take place at the Foreign Correspondents' Club of Thailand last night, was cancelled by the police.

Even a month after the replacement, a policeman still stands guard near the new plaque, to prevent photography, as I discovered today. The police officer was friendly, yet insistent: "You can delete? Delete. Delete. Delete! Delete the picture! OK, you delete."

German Film Week 2017

The fifth annual German Film Week will take place from 23rd to 28th May at Paragon Cineplex. Organised by the Goethe Institut, it includes a screening of Fritz Lang's classic M, starring Peter Lorre, on 25th May. M will also be shown on 3rd June at the National Film Archive in Salaya, near Bangkok.

Veep

Veep, created by Armando Iannucci, stars Julia Louis-Dreyfus as US Vice-President (and subsequently President) Selina Meyer. The fifth season of the sitcom, released on DVD last month, includes an episode titled C**tgate, in which a White House staff-member causes a minor scandal by calling Meyer the c-word.

C**tgate (a pun on Watergate) was broadcast by HBO on 29th May 2016. It was co-written by Will Smith, who presented The C Word (2007), a documentary about the word 'cunt'. In the DVD audio commentary for the episode, director Brad Hall says: "I have a feeling this particular episode is going to set a record for the amount of times the word 'cunt' has been said in an audio commentary!"

The plot of the episode, with Meyer trying to identify the person who called her a cunt, is similar to an episode of 30 Rock (2007), in which the main character overheard one of her staff calling her the same word. Iannucci's UK series The Thick Of It (2005) also included a similar plot device in one episode, with an investigation into which staff-member called another a cunt in an email.