
Monday, 29 May 2017
Cinema Explicito

The Attention Merchants

Wu is as critical of advertising as Packard, emphasising its detrimental impact on the commercial media and entertainment it sustains, from the penny press to prime-time broadcasting and clickbait: "The attention merchant had always tried to reach as broad an audience as possible, bombarding them with as many ads as they'd stand before going into total revolt." (Mark Tungate's Adland is a more favourable history of the advertising industry.)
Thursday, 25 May 2017
The 4th Silent Film Festival In Thailand


The Mark Of Zorro was directed by Fred Niblo, who also made the silent version of Ben-Hur. Starring Douglas Fairbanks, Zorro was one of the first adventure films featuring a swashbuckling hero. Fairbanks would play several similar characters in subsequent films throughout the 1920s (including Robin Hood, The Three Musketeers, The Thief Of Bagdad, and The Black Pirate), influencing Errol Flynn's performances in adventure films of the 1930s (Captain Blood and The Adventures Of Robin Hood).
The Festival opens on 8th June and closes on 14th June. The will be a photographic exhibition at Scala, Light & Shadow: Films Of The Weimar Republic, for the duration of the Festival.
Wednesday, 24 May 2017
Bangkok Screening Room


Stagecoach will be shown on 30th and 31st May; and 1st, 2nd, 3rd, 4th, 7th, 9th, 10th, 11th, 14th, 15th, 17th, and 18th June. Citizen Kane will be screened on 6th, 7th, 8th, 9th, 10th, 11th, 15th, 16th, 17th, 18th, 20th, 21st, and 24th June.
Tuesday, 23 May 2017
Woman's Day

The magazine quoted a high school classmate's description of Wilson: "Her name is – or was – Melanie Elizabeth Bownds, and she's 36 – she was born in 1979 and we left school in 1997." The article also included photographs of Wilson from her high school yearbook.
Wilson launched her lawsuit on 16th May last year, and the article was deleted from the Woman's Day website on the same day. In the magazine's print edition, the article was headlined "Just who is the REAL Rebel?"
Monday, 22 May 2017
(Un) Happy Birthday


Participants were not permitted to use the words 'coup' or 'dictator', and they were not allowed to refer to the junta by name. The poster for the event was censored to remove the Thai abbreviation for the NCPO ("คสช"). To circumvent the restrictions, several speakers held up placards containing the banned words during their speeches.
Similarly, when an army spokesman participated in a discussion at the FCCT in Bangkok shortly after the coup, he asked participants to refer to the coup euphemistically as an "intervention". After initially pledging to hold an election in 2015, the junta has repeatedly delayed its 'roadmap', and an election is not realistically expected until 2018 or later.
Sunday, 21 May 2017
Thailand's Political History

Terwiel, who has been writing about Thai history for forty years, takes a refreshingly skeptical view of the nationalistic accounts of early Thai history, which he calls "national myths." He debunks some of these legends in his opening chapter: "Some of these national scenarios were spectacular indeed and since they were flattering and generated pride in their nation they found their way into the standard history books and became part of national propaganda."
For example, Terwiel compares six different accounts of King Naresuan's elephant duel. While the objective truth remains lost in the mists of time, emphasising that these events are open to multiple interpretations is significant in itself: "It is doubtful whether anyone will unravel the details of this battle in a decisive way. Suffice to say that The Royal Chronicle version, which has had a monopoly in Thai history writing, is only one version among many."
The book's priorities are occasionally questionable - Thaksin Shinawatra's first term as Prime Minister is covered in only two paragraphs, followed by six paragraphs devoted to the 2004 tsunami -
and Terwiel's writing style is sometimes a bit clunky, especially in the new chapters. But the content is always fascinating. For instance, Terwiel hints that King Rama VI had "a decided preference for male company" and was "a confirmed bachelor who relaxed only within a circle of intimate male friends who readily accepted him."
What sets this apart from other histories of Thailand is its comprehensive treatment of the yellow-shirt and red-shirt protest movements. Terwiel provides a detailed chronology of the period from 2007 to 2010, and his account has the necessary objectivity missing from pro-yellow (The Simple Truth) and pro-red (A Kingdom In Crisis) interpretations. The book is also well illustrated, and has detailed footnotes and an extensive bibliography.
Tuesday, 16 May 2017
The Nation

The article appeared to endorse the claims, which it inappropriately presented as facts rather than allegations: "Tailings from the mine have drained directly into the river for many years, clogging it with a large amount of sediment and contaminating the village's water sources with heavy metals from the mine." Also, it didn't include a statement from the mining company, and there is no indication that the journalist even contacted the company before publication.
The Bangkok Post newspaper's Spectrum supplement ran a cover story on the mine on 19th March. The Spectrum article quoted residents complaining about the mine's impact, though unlike The Nation it distanced itself from the claims, treating them as allegations rather than facts. Also in contrast to The Nation, Spectrum included a lengthy statement from the MPC managing director, who "rejected accusations that the company had caused the water contamination."
The company's lawsuit against Pratch and The Nation accuses them of defamation and violation of the Computer Crime Act, as the article was also published on the newspaper's website. (Defamation, like lèse-majesté, is a criminal offence in Thailand.) Last year, the Tungkum mining company lost a defamation case against Thai PBS for reporting that a mine had caused water pollution in Loei, Thailand.
Sunday, 14 May 2017
Alien: Covenant

Covenant's action takes place several years before Alien's storyline, though Alien really needs to be seen first, not for narrative reasons but to fully appreciate the original 'chestburster' sequence. In that respect, Prometheus and Covenant are similar to the (inferior) Star Wars prequels: they provide convoluted and largely unnecessary backstories, they depict 'older' worlds that paradoxically seem more advanced, and they disclose the plot twists in the earlier films.
Covenant's final revelation, involving Michael Fassbender's two characters, was far too predictable. (Revealing it to the audience sooner would have led to more Hitchcockian suspense.) Covenant benefits from Scott's typically superb production design and cinematography, though ultimately it's Alien without the tension or (Fassbender excluded) the depth of character.
Friday, 12 May 2017
Are We There Yet?


Monday, 8 May 2017
The Art Of The Hollywood Backdrop

Whereas theatrical backdrops are often stylised, cinematic backings are (like matte paintings) designed to deceive the audience: to create a realistic 2D simulation of a 3D environment. As the authors explain, "backings created for the movies of Hollywood were rarely recognized for what they were - nor was that their purpose. These special effect backings, the largest paintings ever created, were breathtaking in their artistic and technical virtuosity."
Aside from double-page photographs of Georges Melies and Fritz Lang, The Art Of The Hollywood Backdrop is devoted entirely to films from the American studio system. A 100-page introduction traces the history of the Hollywood backdrop, and subsequent chapters profile individual backdrop artists. This is a substantial and comprehensive book, lavishly presented in a slipcase. It has 300 illustrations, many of which are stunning full-page photographs (though twenty-eight pages on Lemony Snicket's A Series Of Unfortunate Events is perhaps excessive).
Sunday, 7 May 2017
Puppetry: A World History

Blumenthal writes in her preface: "Puppetry: A World History encompasses all kinds of constructed actors and performing objects from all times and all places. Given this gigantic scope, the default methodology would have been to sort the material by genre, time, or place - particularly since no other existing study does that job." She argues, however, that the shared functions and aesthetics of puppetry around the world lend themselves to a thematic survey rather than a chronological history.
The Meaning Of Life

In the programme, presenter Gay Byrne asked Fry what he would say to God if there was an afterlife. Fry, who has been a life-long atheist, didn't mince his words: "I'll say, 'Bone cancer in Children? What's that about? How dare you! How dare you create a world in which there is such misery that is not our fault. It's not right, it's utterly, utterly evil. Why should I respect a capricious, mean-minded, stupid God who creates a world which is so full of injustice and pain?'"
Irish law states that anyone who intentionally "publishes or utters blasphemous matter" is guilty of criminal defamation. The 2009 Defamation Act defines "blasphemous matter" as "grossly abusive or insulting in relation to matters held sacred by any religion, thereby causing outrage among a substantial number of the adherents of that religion," though there are exemptions for content of "literary, artistic, political, scientific, or academic value".
The law of blasphemy was abolished in the UK in 2008. Famously, the editor of Gay News was prosecuted for blasphemous libel after he published James Kirkup's poem The Love That Dares To Speak Its Name on 3rd June 1976. Extracts from the poem subsequently appeared in Socialist Challenge magazine (14th July 1977); Gay Left magazine (Winter 1977); The Observer newspaper (17th July 1977); Geoffrey Robertson's memoir, The Justice Game (1998); Bound & Gagged, a history of obscenity by Alan Travis (2000); A Voyage Round John Mortimer (2007) by Valerie Grove; the Channel 4 documentary The Secret Life of Brian (1st January 2007); and an episode of Joan Bakewell's TV series Taboo (12th December 2001).
Thursday, 4 May 2017
"Delete the picture..."


The original plaque was installed in 1936, next to a statue of King Rama V. Apart from a hiatus from 1960 to 1963, it had remained in place until approximately one month ago, when it was removed by persons unknown. The plaque's current whereabouts, and the reason for its replacement, have not been revealed. According to the Bangkok Metropolitan Authority, the CCTV cameras in the area were not operational when the plaque was removed.
Early last month, the plaque's removal generated plenty of critical comments on social media. However, that debate has since died down, as the military government has discouraged any commentary on the issue. A panel discussion on the subject, which had been due to take place at the Foreign Correspondents' Club of Thailand last night, was cancelled by the police.
Even a month after the replacement, a policeman still stands guard near the new plaque, to prevent photography, as I discovered today. The police officer was friendly, yet insistent: "You can delete? Delete. Delete. Delete! Delete the picture! OK, you delete."
Tuesday, 2 May 2017
German Film Week 2017



Monday, 1 May 2017
Veep

C**tgate (a pun on Watergate) was broadcast by HBO on 29th May 2016. It was co-written by Will Smith, who presented The C Word (2007), a documentary about the word 'cunt'. In the DVD audio commentary for the episode, director Brad Hall says: "I have a feeling this particular episode is going to set a record for the amount of times the word 'cunt' has been said in an audio commentary!"
The plot of the episode, with Meyer trying to identify the person who called her a cunt, is similar to an episode of 30 Rock (2007), in which the main character overheard one of her staff calling her the same word. Iannucci's UK series The Thick Of It (2005) also included a similar plot device in one episode, with an investigation into which staff-member called another a cunt in an email.