Sight and Sound magazine has announced the results of its 2022 critics’ and directors’ polls, The Greatest Films of All Time. There have been dozens of similar polls, based on votes by either critics or the public—Dateline Bangkok has featured every greatest-film list published since 2005—though Sight and Sound’s list is the first and most authoritative of them all. The magazine compiled its original list in 1952, with Bicycle Thieves (Ladri di biciclette) being the inaugural winner. For fifty years, starting in 1962, Citizen Kane was in first place, until it was overtaken by Vertigo in 2012.
This year’s result is much more surprising, with Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles at the top of the new list. As Laura Mulvey writes in the magazine’s latest issue (vol. 33, no. 1), “Vertigo had been gradually closing in on Citizen Kane for decades; Jeanne Dielman has appeared from nowhere.” 2001 came first in the directors’ poll, replacing Tokyo Story (東京物語), and the full results of both polls are included in the new issue of the magazine.
This year’s result is much more surprising, with Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles at the top of the new list. As Laura Mulvey writes in the magazine’s latest issue (vol. 33, no. 1), “Vertigo had been gradually closing in on Citizen Kane for decades; Jeanne Dielman has appeared from nowhere.” 2001 came first in the directors’ poll, replacing Tokyo Story (東京物語), and the full results of both polls are included in the new issue of the magazine.
The Sight and Sound critics’ top ten is as follows:
1. Jeanne Dielman
2. Vertigo
3. Citizen Kane
4. Tokyo Story
5. In the Mood for Love
6. 2001
7. Beau travail
8. Mulholland Drive
9. Man with a Movie Camera
10. Singin’ in the Rain
1. Jeanne Dielman
2. Vertigo
3. Citizen Kane
4. Tokyo Story
5. In the Mood for Love
6. 2001
7. Beau travail
8. Mulholland Drive
9. Man with a Movie Camera
10. Singin’ in the Rain
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