Som Supaparinya’s exhibition Collapsing Clouds Form Stars (ฝุ่นถล่มเป็นดาว) opened on 30th January at Gallery VER in Bangkok. It was originally scheduled to close on 22nd March, though it has now been extended until 26th April. (A catalogue will be published soon, featuring essays by Philippa Lovatt.) The centrepiece, after which the exhibition is named, is an installation of 279 ribbons, each of which contains a quotation from Thai political history.
These quotes include the notorious monk Kittivuddho Bhikku’s justification for the killing of communists, a comment that set the stage for the 6th October 1976 massacre. Other ribbons feature lyrics by Rap Against Dictatorship, among many other examples. The quotes have also been translated into Morse code, which is played over a PA system for the duration of the exhibition.
These quotes include the notorious monk Kittivuddho Bhikku’s justification for the killing of communists, a comment that set the stage for the 6th October 1976 massacre. Other ribbons feature lyrics by Rap Against Dictatorship, among many other examples. The quotes have also been translated into Morse code, which is played over a PA system for the duration of the exhibition.
The use of Morse code, which renders the quotations unintelligible, echoes an earlier piece of sound art by the same artist, Speeches of the Unheard. For this project, an episode of the podcast series Die Erde Spricht (‘the earth is speaking’), Som used computer software to turn extracts from political speeches into birdsong. The speeches included one given by red-shirt leader Nattawut Saikua on 30th December 2007, and one by Arnon Nampa on 16th September 2020.
The exhibition also includes Banned Books, an installation consisting of five books, banned by previous Thai governments, tightly wrapped in more ribbons. The books are: แลไปข้างหน้า (‘looking into the future’), ด้วยเลือดและชีวิต (‘the one-eyed elephant and the elephant genie’), The Real Face of Thai Feudalism Today (โฉมหน้าศักดินาไทย), นิราศหนองคาย (‘poem of Nong Khai’), and ทรัพย์ศาสตร์ (‘economics’, Thailand’s first textbook on that subject).
The book Dissident Citizen (ราษฎรกำแหง) also used Morse code to conceal a political message. Several previous exhibitions — including The Grandmaster (สนทนากับปรมาจารย์), Derivatives and Integrals (อนุพันธ์ และปริพันธ์), The L/Royal Monument (นิ/ราษฎร์), and Unforgetting History — have also featured banned books. Sarakadee (สำรคดี) magazine (vol. 22, no. 260) published an extensive article on the history of book censorship, and the journal Underground Buleteen (no. 8) printed a list of books banned between 1932 and 1985.
The exhibition also includes Banned Books, an installation consisting of five books, banned by previous Thai governments, tightly wrapped in more ribbons. The books are: แลไปข้างหน้า (‘looking into the future’), ด้วยเลือดและชีวิต (‘the one-eyed elephant and the elephant genie’), The Real Face of Thai Feudalism Today (โฉมหน้าศักดินาไทย), นิราศหนองคาย (‘poem of Nong Khai’), and ทรัพย์ศาสตร์ (‘economics’, Thailand’s first textbook on that subject).
The book Dissident Citizen (ราษฎรกำแหง) also used Morse code to conceal a political message. Several previous exhibitions — including The Grandmaster (สนทนากับปรมาจารย์), Derivatives and Integrals (อนุพันธ์ และปริพันธ์), The L/Royal Monument (นิ/ราษฎร์), and Unforgetting History — have also featured banned books. Sarakadee (สำรคดี) magazine (vol. 22, no. 260) published an extensive article on the history of book censorship, and the journal Underground Buleteen (no. 8) printed a list of books banned between 1932 and 1985.
