“Memory never goes away.”
This week marks the 20th anniversary of the tragedy that took place at Tak Bai on 25th October 2004. More than 1,000 people protested outside Tak Bai’s Provincial Police Station, and police responded with water cannon, tear gas, and ultimately live ammunition, killing seven people. The surviving demonstrators were crammed into trucks and taken to Ingkhayuttha Borihan Fort military camp, though seventy-eight died of suffocation during the five-hour journey.
For almost two decades, successive governments have failed to bring the security forces to justice for the unlawful deaths at Tak Bai. Finally, earlier this year, just months before the twenty-year statute of limitations expires, seven former police and military officers were charged with the murder of the Tak Bai victims. However, there has been no attempt to enforce the arrest warrants issued for them. The court has announced that it will simply wait until midnight on 25th October for the seven men to present themselves voluntarily and, if they choose not to hand themselves in, the cases against them will be dropped.
The injustice of Tak Bai is heartbreaking, though sadly not unusual in Thailand. At the time of the Tak Bai incident, the government even prohibited footage of the event from being broadcast on television, though the journal Same Sky (ฟ้าเดียวกัน) distributed a Tak Bai VCD, ความจริงที่ตากใบ (‘the truth at Tak Bai’), in defiance of the ban. Tak Bai footage also appears in Teerawat Rujenatham’s short film Tak Bai, and in two documentaries: This Area Is Under Quarantine (บริเวณนี้อยู่ภายใต้การกักกัน) by Thunska Pansittivorakul, and 18 Years by Prempapat Plittapolkranpim. (Thai Cinema Uncensored discusses the representation of Tak Bai by Thai filmmakers.)
This week marks the 20th anniversary of the tragedy that took place at Tak Bai on 25th October 2004. More than 1,000 people protested outside Tak Bai’s Provincial Police Station, and police responded with water cannon, tear gas, and ultimately live ammunition, killing seven people. The surviving demonstrators were crammed into trucks and taken to Ingkhayuttha Borihan Fort military camp, though seventy-eight died of suffocation during the five-hour journey.
For almost two decades, successive governments have failed to bring the security forces to justice for the unlawful deaths at Tak Bai. Finally, earlier this year, just months before the twenty-year statute of limitations expires, seven former police and military officers were charged with the murder of the Tak Bai victims. However, there has been no attempt to enforce the arrest warrants issued for them. The court has announced that it will simply wait until midnight on 25th October for the seven men to present themselves voluntarily and, if they choose not to hand themselves in, the cases against them will be dropped.
The injustice of Tak Bai is heartbreaking, though sadly not unusual in Thailand. At the time of the Tak Bai incident, the government even prohibited footage of the event from being broadcast on television, though the journal Same Sky (ฟ้าเดียวกัน) distributed a Tak Bai VCD, ความจริงที่ตากใบ (‘the truth at Tak Bai’), in defiance of the ban. Tak Bai footage also appears in Teerawat Rujenatham’s short film Tak Bai, and in two documentaries: This Area Is Under Quarantine (บริเวณนี้อยู่ภายใต้การกักกัน) by Thunska Pansittivorakul, and 18 Years by Prempapat Plittapolkranpim. (Thai Cinema Uncensored discusses the representation of Tak Bai by Thai filmmakers.)
Walai Buppha’s one-hour documentary 20 Years Later was originally scheduled to premiere on 19th October at TK Park in Narathiwat, as part of the Indelible Memory (ลบไม่เลือน) exhibition, but Teerawat’s short film was shown instead. 20 Years Later therefore had its first screening on 20th October at Hope Space in Bangkok, to an audience of around a dozen people, as part of the 20 ปีตากใบ เราไม่ลืม (‘20 years of Tak Bai, we will never forget’) exhibition.
Just as Teerawat’s film is the first to dramatise the events of Tak Bai, Walai’s is the first documentary to give a voice to the families of the victims. One relative, for example, says that “we kept quiet, memory never goes away. We’d just get used to it.” He also asks why the protesters were “loaded on the truck and stacked up” like animals.
The film is not yet complete—the version shown at Hope Space had no opening titles or end credits—and 20 Years Later will ultimately be its subtitle. Its final release title, Along the Road, refers both to the route along which the victims were transported twenty years ago, and the ongoing journey of the relatives in coming to terms with what happened. This title is also a reference to the long-running legal campaign for justice and accountability, which is still, two decades later, a journey without an ending. The film will also be shown on 4th November at TK Park in Narathiwat, under its working title, If the Air Has Memories (หากอากาศมีความทรงจำ).
A five-minute extract from 20 Years Later will be screened today at the Takbai 20th Year Memorization (จดจำ 20 ปี ตากใบ) event, hosted by the embassy of the Netherlands in Bangkok. Previous exhibitions commemorating Tak Bai include Heard the Unheard (สดับเสียงเงียบ), รำลึก 19 ปี ตากใบ (‘remembering 19 years of Tak Bai’), Deep South (ลึกลงไป ใต้ชายแดน), Living Memories (ความทรงจำที่ยังเหลืออยู่), and Landscape of Unity the Indivisible (ทิวทัศน์แห่งความเป็นหนึ่งอันมิอาจแบ่งแยก).
Apichatpong Weerasethakul’s Photophobia series incorporates photographs of the incident, as does the interactive installation Black Air by Pimpaka Towira, Akritchalerm Kalayanamitr, Koichi Shimizu, and Jakrawal Nilthamrong. Jehabdulloh Jehsorhoh’s Violence in Tak Bai (ความรุนแรงที่ตากใบ) installation features white tombstones marking the graves of each victim. The victims’ names are listed in two installations: Jakkhai Siributr’s 78 and Zakariya Amataya’s Report from a Partitioned Village (รายงานจากหมู่บ้านที่ถูกปิดล้อม).
Just as Teerawat’s film is the first to dramatise the events of Tak Bai, Walai’s is the first documentary to give a voice to the families of the victims. One relative, for example, says that “we kept quiet, memory never goes away. We’d just get used to it.” He also asks why the protesters were “loaded on the truck and stacked up” like animals.
The film is not yet complete—the version shown at Hope Space had no opening titles or end credits—and 20 Years Later will ultimately be its subtitle. Its final release title, Along the Road, refers both to the route along which the victims were transported twenty years ago, and the ongoing journey of the relatives in coming to terms with what happened. This title is also a reference to the long-running legal campaign for justice and accountability, which is still, two decades later, a journey without an ending. The film will also be shown on 4th November at TK Park in Narathiwat, under its working title, If the Air Has Memories (หากอากาศมีความทรงจำ).
A five-minute extract from 20 Years Later will be screened today at the Takbai 20th Year Memorization (จดจำ 20 ปี ตากใบ) event, hosted by the embassy of the Netherlands in Bangkok. Previous exhibitions commemorating Tak Bai include Heard the Unheard (สดับเสียงเงียบ), รำลึก 19 ปี ตากใบ (‘remembering 19 years of Tak Bai’), Deep South (ลึกลงไป ใต้ชายแดน), Living Memories (ความทรงจำที่ยังเหลืออยู่), and Landscape of Unity the Indivisible (ทิวทัศน์แห่งความเป็นหนึ่งอันมิอาจแบ่งแยก).
Apichatpong Weerasethakul’s Photophobia series incorporates photographs of the incident, as does the interactive installation Black Air by Pimpaka Towira, Akritchalerm Kalayanamitr, Koichi Shimizu, and Jakrawal Nilthamrong. Jehabdulloh Jehsorhoh’s Violence in Tak Bai (ความรุนแรงที่ตากใบ) installation features white tombstones marking the graves of each victim. The victims’ names are listed in two installations: Jakkhai Siributr’s 78 and Zakariya Amataya’s Report from a Partitioned Village (รายงานจากหมู่บ้านที่ถูกปิดล้อม).
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