Charinthorn Rachuratchata’s exhibition Museum 2032 (พิพิธภัณฑ์ ๒๕๗๕) looks simultaneously into the future and the past, while commenting on the present. Charinthorn transports us forward ten years, as visitors to a 2032 exhibition commemorating 100 years of democracy in Thailand. (Absolute monarchy was replaced with parliamentary democracy in 1932.) Photographs of an unsuccessful royalist rebellion led by Prince Boworadet ninety years ago are juxtaposed with images of the student protest movement that began in 2020.
Though separated by time, the two events are connected by the active involvement of Thai citizens in fighting for democracy. In 1933, students and other young Thais supported the newly-formed democratic government in suppressing Boworadet’s rebellion. In 2020 and 2021, students campaigned for reform of the monarchy and an end to military rule. Displaying four black-and-white images of each event facing each other on opposite walls of the gallery, Charinthorn draws parallels between them and shows that the democratic struggle continues.
Though separated by time, the two events are connected by the active involvement of Thai citizens in fighting for democracy. In 1933, students and other young Thais supported the newly-formed democratic government in suppressing Boworadet’s rebellion. In 2020 and 2021, students campaigned for reform of the monarchy and an end to military rule. Displaying four black-and-white images of each event facing each other on opposite walls of the gallery, Charinthorn draws parallels between them and shows that the democratic struggle continues.
Each of the photographs has been torn and restored using the Japanese kintsugi method, whereby gold lacquer is used as a bonding agent. Rather than producing conventional seamless repairs, kintsugi highlights the seams as an integral aspect of the repaired object. When applied to the photographs in the exhibition, the technique emphasises that the events depicted are worthy of preservation, and also that Thai democracy remains imperfect.
Charinthorn’s previous photographic series, The Will to Remember, featured images of the recent student protest movement alongside photographs of the massacre of Thammasat University students in 1976. The prints were also repaired via kintsugi, though in The Will to Remember the kintsugi seams symbolised resilience against the erasure of the massacre from the collective memory.
Museum 2032 opened at VS Gallery in Bangkok on 21st October, and was originally scheduled to run until 30th December. It has now been extended until 7th January next year.
Charinthorn’s previous photographic series, The Will to Remember, featured images of the recent student protest movement alongside photographs of the massacre of Thammasat University students in 1976. The prints were also repaired via kintsugi, though in The Will to Remember the kintsugi seams symbolised resilience against the erasure of the massacre from the collective memory.
Museum 2032 opened at VS Gallery in Bangkok on 21st October, and was originally scheduled to run until 30th December. It has now been extended until 7th January next year.
