Saturday, 9 November 2019

Judy Garland Focus

The Wizard of Oz
Meet Me in St. Louis
Bangkok Screening Room will be showing some classic Judy Garland musicals this month. The Judy Garland Focus season includes The Wizard of Oz (screening tomorrow and 23rd November) and Meet Me in St. Louis (on 16th and 24th November).

Monday, 4 November 2019

Never Again

Never Again
Never Again
Never Again
Never Again
Thai political protesters of all persuasions have used clothing and accessories as markers of political identity. Medallions were distributed at the funerals of 13th October 1973 massacre victims. (Reproductions were issued with a book commemorating the event.) The UDD and PAD movements are both better known by the colour of their respective clothes—red-shirts and yellow-shirts—and both groups also used plastic hand-clappers at their rallies. Later, the PDRC protesters were nicknamed whistle-blowers, not because they were exposing corruption but because they blew whistles at their protests.

These simple artefacts are souvenirs of protests attended, and symbols of the deeply polarised nature of modern Thai politics. A collection of more recent political emphemera is currently on show in Bangkok, at the Never Again exhibition. The items on display, including UDD calendars and water bowls, were all declared illegal by the junta in the years following the 2014 coup. The exhibition also features a large collection of anti-junta t-shirts.

The main exhibit is the white shirt worn by New Democracy Movement member Sirawith Seritiwat when he was attacked by thugs on 28th June. His bloodstained shirt highlights the violence of the attack, and serves as a potent reminder of the anti-democratic vigilantism that has existed in Thailand for more than forty years. (Stickers from the New Democracy Movement are also included, though their banned ‘seven reasons to vote no’ leaflet is missing.)

Never Again: Seize, Trample, Repeat, Change (หยุด ย่ำ ซ้ำ เดิน) was organised by Thai Lawyers for Human Rights, an NGO that also published the recent book ราษฎรกำแหง (‘dissident citizens’). The exhibition was previously held at Chiang Mai University (from 11th to 16th August), and is now at WTF Gallery (from 1st to 10th November).

Saturday, 2 November 2019

Short Film Marathon

Short Film Marathon
Short Film Marathon
The annual Short Film Marathon (หนังสั้นมาราธอน) began yesterday at the Thai Film Archive in Salaya. More than 400 films will be screened, in alphabetical order, until 12th December, and the cream of the crop will be selected for the forthcoming 23rd Short Film and Video Festival. Attendees at yesterday’s launch were given bib numbers, just like a real marathon. (Fortunately, no actual running was required.)

The first programme included Chulayarnnon Siriphol’s new film 100 Times Reproduction of Democracy. It begins with a self-reflexive commentary on artistic reproduction: 100 Times Reproduction of ‘A Cock Kills a Child by Pecking on the Mouth of an Earthen Jar’ (การผลิตซ้ำภาพยนตร์สั้นเรื่องไก่จิกเด็กตายบนปากโอ่งจำนวน 100 ครั้ง), which itself incorporates A Cock Kills a Child by Pecking on the Mouth of an Earthen Jar (ไก่จิกเด็กตายบนปากโอ่ง), Chulayarnnon’s award-winning entry at the 17th Short Film and Video Festival. Scenes from that film (a patient with arthritis exercising and visiting her doctor) are repeated, and the director sells 100 DVD copies of it and gives away 100 copies of his award certificate.

100 Times Reproduction of Democracy then transitions into the equally repetitive issue of Thai politics: the cycle of coups has been reproduced a dozen times since the democratic revolution of 1932. The film shows how one symbol can be replaced with another, with the removal of a plaque commemorating the revolution. Chulayarnnon also filmed the PDRC’s ‘Shutdown Bangkok’ rallies—as he did in Myth of Modernity and Here Comes the Democrat Party (ประชาธิปัตย์มาแล้ว)—and Rap Against Dictatorship’s performance of Which Is My Country (ประเทศกูมี) earlier this year. The song is juxtaposed with footage from Children’s Day of toddlers posing with tanks and machine guns, showing how militarism is inculcated at an extremely young age.