Kulapat Aimmanoj’s short film The Reproduction of a Catastrophic Reminiscence (คืนพิพากษ์) was shown at the Thai Film Archive on 18th December, on the first day of the 25th Thai Short Film and Video Festival (เทศกาลภาพยนตร์สั้นครั้งที่ 25). The film is a drama—largely a two-hander—in which two young anti-government protesters argue about their tactics. Non is no longer an activist, though the more radical Mhee reminds him what they are fighting for. With its theme of personal and ideological tensions between protest leaders, Kulapat’s film is similar to Aomtip Kerdplanant’s 16 ตุลา (‘16th Oct.’)—which was screened at the Archive on Christmas Day—and Sunisa Manning’s novel
A Good True Thai.
Kulapat also released a black-and-white version, The Reproduction of a Catastrophic Reminiscence: Noir, online earlier this year, and the original version will also be included in the portmanteau film Voices of the New Gen (เสียง (ไม่) เงียบ 2022). The film begins with a reporter on Facebook Live describing the use of tear gas against protesters at major intersections in Bangkok. This respresentation of political protests via simulated media coverage also occurs in Kongdej Jaturanrasmee’s feature film Snap (แค่... ได้คิดถึง), and the use of similar distancing devices is discussed in Thai Cinema Uncensored.
Kulapat also released a black-and-white version, The Reproduction of a Catastrophic Reminiscence: Noir, online earlier this year, and the original version will also be included in the portmanteau film Voices of the New Gen (เสียง (ไม่) เงียบ 2022). The film begins with a reporter on Facebook Live describing the use of tear gas against protesters at major intersections in Bangkok. This respresentation of political protests via simulated media coverage also occurs in Kongdej Jaturanrasmee’s feature film Snap (แค่... ได้คิดถึง), and the use of similar distancing devices is discussed in Thai Cinema Uncensored.
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