Altai Villa is a new community of self-described ‘good people’ (a loaded phrase in Thailand, as it refers to establishment figures who are portrayed as paragons of virtue), established following a coup, and the rights of its citizens are imperceptibly eroded. Just in case any readers failed to grasp the satirical metaphor, the subtext is clarified in chapter twenty-six when one of the ‘good people’ pledges to return happiness to the population, a reference to the 2014 junta’s propaganda song Returning Happiness to the Thai Kingdom (คืนความสุขให้ประเทศไทย).
The novel features Bangkok’s Democracy Monument on its cover, with a tank in the foreground. (Throughout the book, illustrations show the Monument in various stages of completion.) Similarly, the cover of Wad Rawee’s book การเมืองโมเบียส (‘Möbius politics’) shows Democracy Monument as a military complex. On the cover of the second edition of Sulak Sivaraksa’s book หกทศวรรษประชาธิปไตย (‘six decades of democracy’), Democracy Monument is represented as a jigsaw with one piece—containing the constitution—missing.