
Most of the images were taken in South America, which has a long cultural association with death, from the traditional dia de muertos (‘day of the dead’) festival to the exploitative prensa roja (‘sensationalist press’) tabloids. The book begins, however, with a series of grisly photographs from Thailand, mostly depicting fatal car crashes.
Kiyotaka’s photographs are remarkable largely for their shocking subjects rather than for their artistic quality. The single exception — Kiyotaka’s only manipulated image — is a double-exposure depicting a foetus being removed from its mother’s body in Colombia.


