29 September 2020

Thai Cinema Uncensored

Thai Cinema Uncensored
My first book, Thai Cinema Uncensored, went on sale today. Published in paperback by Silkworm Books in Thailand, it will also be on sale at the Thailand Book Expo in Muang Thong Thani) from tomorrow until 11th October, and at the Mini Book Fair in Bangkok from 7th to 16th December (at Lido Connect) and from 8th to 21st December (at CentralWorld).

Thai Cinema Uncensored is the first full-length history of Thai film censorship. The book examines how Thai filmmakers approach culturally sensitive subjects—sex, religion, and politics—and how their films have been banned as a result. It also features interviews with ten leading Thai directors: Apichatpong Weerasethakul, Yuthlert Sippapak, Pen-ek Ratanaruang, Nontawat Numbenchapol, Chulayarnnon Siriphol, Thunska Pansittivorakul, Ing Kanjanavanit, Tanwarin Sukkhapisit, Kanittha Kwunyoo, and Surasak Pongson.

It is in stock at Asia Books branches, Thammasat University Bookstore, and the Foreign Correspondents’ Club of Thailand in Bangkok; at Chiang Mai University Bookstore and Book Re:public in Chiang Mai; and at Mary Martin Booksellers in Singapore. Copies are available for browsing at Bangkok Screening Room, the Reading Room in Bangkok, and the Thai Film Archive in Salaya.

It will be released in the US by the University of Washington Press on 21st March 2021, and is available for pre-order at all major online book retailers. It is also available as an e-book (Kindle, Google Books, and Kobo). In Thailand, the cover price is ฿650, and the US edition will be $27.95.

19 September 2020

ปรากฏการณ์สะท้านฟ้า 10 สิงหา

This morning, police seized 50,000 copies of a booklet before it could be distributed at a pro-democracy protest. The booklet, ปรากฏการณ์สะท้านฟ้า 10 สิงหา ข้อเรียกร้องว่าด้วยสถาบันกษัตริย์ (‘an earth-shattering event on 10th August: calling for discussion of the monarchy’), contains speeches by four protest leaders—Panusaya Sithjirawattanakul, Arnon Nampa, Parit Chirawak, and Panupong Jadnok—including Panusaya’s unprecedented ten-point manifesto on reform of the monarchy.

The four speeches were all delivered at Thammasat University on 10th August, and the booklet was due to be sold at Thammasat, where another protest is taking place today. It was published by the protest organiser, United Front of Thammasat and Demonstration. (Copies of an anti-military booklet published by a similar organisation, the New Democracy Movement, were seized in 2016.)

02 September 2020

The Governance of China III

The Governance of China III
The Governance of China III is the third volume of Chinese President Xi Jinping’s collected speeches, featuring English translations of his official statements delivered between October 2017 and January 2020. Like the previous volumes, published in 2015 and 2017, the book is clearly a propaganda exercise, though it does at least provide a guide to China’s political direction.

Sales of six million were claimed for the first volume, which was published in nine languages. Volume two, published only in Chinese and English, apparently sold thirteen million copies. The true sales statistics are much more modest, however: less than a hundred copies of volume two were sold in the UK. The third volume has not been released there, presumably to avoid similarly embarrassing sales figures.

Volume three follows exactly the same format as its predecessors, and Xi’s remarks offer little commentary on the most significant issues of the day. For example, after the National People’s Congress removed the term limits on his presidency, Xi’s address to the Congress was a bland tribute to the “character and endowment of the Chinese people”. There is no reference to the Hong Kong protest movement, only a reminder that Hong Kong should “integrate into the overall development of the country, and share the glory of a strong and prosperous motherland.”

23 August 2020

Give Us a Little More Time

Give Us a Little More Time
Give Us a Little More Time
Chulayarnnon Siriphol’s exhibition and video installation Give Us a Little More Time (ขอเวลาอีกไม่นาน) closed earlier this month, though the exhibition catalogue is now available from Bangkok CityCity Gallery. The six loose-leaf volumes are housed in a slipcase, published in an edition of thirty signed and numbered copies (mine being no. 2).

Chulayarnnon used newspaper clippings to produce a satirical A4 collage every day from the 22nd May 2014 coup until the 24th March 2019 election, creating a daily critique of mainstream media coverage of the junta. Only ten of these were on display at the exhibition, though the catalogue serves as an archive of all 1,768 collages.

31 July 2020

The Essentials (volume 2)

The Essentials 2
Jeremy Arnold’s book The Essentials, a guide to fifty-two classic films, was published in 2016. The second volume (52 More Must-See Movies and Why They Matter) will be released later this year. Volume two features another fifty-two classics; as in volume one, the films are listed chronologically, and there are no entries from the last thirty years.

The book rectifies some of the first volume’s significant omissions, with entries for Psycho and 2001. On the other hand, the list is too heavily skewed towards 1930s Hollywood and, from that period, relatively minor screwball comedies (Twentieth Century and Ball of Fire) are included whereas screwball classics (Bringing up Baby and His Girl Friday) are missing.

The 52 More Must-See Movies are as follows:
  • Sunrise
  • Steamboat Bill Jr
  • Freaks
  • Gold Diggers of 1933
  • Twentieth Century
  • Top Hat
  • Mutiny on the Bounty
  • Dodsworth
  • The Awful Truth
  • The Adventures of Robin Hood
  • Stagecoach
  • The Women
  • The Great Dictator
  • The Philadelphia Story
  • The Maltese Falcon
  • Ball of Fire
  • Sullivan’s Travels
  • Yankee Doodle Dandy
  • Cat People
  • Laura
  • Mildred Pierce
  • Brief Encounter
  • Notorious
  • The Ghost and Mrs Muir
  • The Treasure of the Sierra Madre
  • The Asphalt Jungle
  • Rashomon
  • A Place in the Sun
  • An American in Paris
  • The Quiet Man
  • High Noon
  • Kiss Me Deadly
  • The Night of the Hunter
  • Pather Panchali
  • Rebel Without a Cause
  • A Face in the Crowd
  • Sweet Smell of Success
  • The Bridge on the River Kwai
  • Vertigo
  • Pillow Talk
  • The Apartment
  • Psycho
  • Ride the High Country
  • The Battle of Algiers
  • The Producers
  • 2001: A Space Odyssey
  • The Sting
  • One Flew Over the Cuckoo’s Nest
  • Harlan County, USA
  • Network
  • Hannah and Her Sisters
  • Field of Dreams

27 July 2020

The Making of Alien

J.W. Rinzler has written quite a few books on the making of (mostly science-fiction) New Hollywood blockbusters, including The Making of Alien, which was published last year. Like Rinzler’s previous books (and, presumably, his forthcoming work on The Shining), The Making of Alien is an exhaustive scene-by-scene account of the film’s production.

There have been several previous books on the making of Alien, though Rinzler’s is easily the most comprehensive, with hundreds more images (including many concept sketches by director Ridley Scott, shaped like CRT screens and known as ‘Ridleygrams’). Unlike other books on the film, The Making of Alien also includes an interview with Scott, who “kindly took a couple of hours to talk about long-ago experiences making Alien”.

Although commissioned by the studio (20th Century Fox) to celebrate the film’s fortieth anniversary, the book doesn’t shy away from the production’s numerous creative and budgetary disagreements. A brief epilogue covers the Alien ‘quadrilogy’, though not Scott’s prequels Prometheus and Alien: Covenant.

07 July 2020

Parasite:
A Graphic Novel in Storyboards

Bong Joon-ho’s satirical black comedy Parasite (기생충) was the first South Korean film to win the Cannes Palme d’Or, and the first foreign-language film to win Best Picture at the Oscars. Bong’s screenplay and storyboards were published in South Korea last year, in two volumes (기생충 각본집 and 기생충 스토리보드북), and have now been translated into English as Parasite: A Graphic Novel in Storyboards. The book features a foreword by the director, who notes the “small differences between the storyboards and the film”, and indeed the storyboards do include a few deleted scenes.

01 July 2020

Too Much and Never Enough

For the second time in a fortnight, an injunction has been sought to prevent publication of a book criticising Donald Trump. After failing to stop the release of John Bolton’s The Room Where It Happened, Trump tweeted on 23rd June that Bolton “is a lowlife who should be in jail”. Last week, Trump’s brother, Robert, began legal proceedings against their niece, Mary, over her forthcoming book, Too Much and Never Enough: How My Family Created the World’s Most Dangerous Man. (Both books are published by Simon & Schuster.)

The lawsuit against Mary Trump was filed by Charles Harder, who has previously represented President Trump and the First Lady. Harder won libel cases against The Daily Telegraph and the Daily Mail on behalf of Melania Trump (winning “substantial damages” in the former case, and $3 million in the latter), and famously bankrupted the Gawker website. After his initial filing, on 23rd June, was rejected by the Queens County Surrogate’s Court of New York, he sought a restraining order from New York’s Dutchess County Supreme Court on 26th June.

That order was granted yesterday, preventing Mary Trump from making any public comment about the contents of her own book. However, the restraining order on the book’s publishers was lifted on appeal today, meaning that the book can be sold. (Mary Trump is prohibited from discussing Trump family matters, as she signed a non-disclosure agreement in 2001 as part of a settlement surrounding her father’s will. The publishers, not being signatories to the NDA, are therefore not bound by it.)

The book is a lengthy psychoanalysis of the President by his niece, who writes in one passage: “Donald’s monstrosity is the manifestation of the very weakness within him that he’s been running from his entire life.” (Mary Trump has a doctorate in psychology, but she has had little contact with her uncle over the past twenty years, so this is still essentially armchair psychology.) It was due to be published on 28th July, though (like Fire and Fury) its publication has been brought forward due to the publicity surrounding the lawsuit. It will now be released on 14th July.

23 June 2020

Shout Out or Shut Up (?)

Shout Out or Shut Up (?)
Shout Out or Shut Up (?), edited by art critic and curator Judha Su, was published by Bangkok CityCity Gallery in 2017. It has the same dimensions as an LP sleeve, and is limited to 300 copies.

The booklet features the first English translation of lyrics by Thai rappers P9d and Liberate P, who Judha describes as “the poets for our generation”. Both artists have released singles criticising the military government, and Liberate P is a member of Rap Against Dictatorship. (The booklet misnames his song Oc(t)ygen as “OCT(Y)GEN”.)

19 June 2020

Posters: A Global History

Posters: A Global History
Posters: A Global History, by Elizabeth E. Guffey, was published in 2015. The book lives up to its ambitious subtitle, offering a worldwide survey of poster art from the Industrial Revolution to the present. Guffey’s scope extends beyond design and aesthetics, to consider posters as physical objects within the urban environment, “not in textbooks or museums but in the alleys of Ramallah, the barber shops of Lagos and the market stalls of Chennai.”

The last comprehensive book on the subject, The Poster by Alain Weill, was published more than thirty years ago. Weill covered Chinese and Japanese posters in addition to more familiar Western examples, though Guffey’s book breaks new ground with coverage of posters from India, Africa, and the Middle East. Posters features only 100 colour illustrations, though these are supplemented by vintage photographs, historical newspaper cartoons, and other ephemera.

Once Upon a Time in the West:
Shooting a Masterpiece

Once Upon a Time in the West: Shooting a Masterpiece
Once Upon a Time in the West: Shooting a Masterpiece, by Christopher Frayling, is a definitive monograph on Sergio Leone’s epic Western. The book includes interviews with Leone and his collaborators, a day-by-day production history, and numerous previously-unpublished images.

Frayling is one of our greatest cultural historians, and the world’s leading expert on Leone. His Something to Do with Death is a comprehensive biography of the director, and Spaghetti Westerns and Once Upon a Time in Italy are essential guides to the Spaghetti Western. Once Upon a Time in the West: Shooting a Masterpiece is Frayling’s third book for Reel Art Press, the others being Frankenstein and The 2001 File.

The Art of Earth Architecture

The Art of Earth Architecture
The Art of Earth Architecture, by Jean Dethier, is a comprehensive guide to “the history of architecture, settlements, and structures built from earth.” Technical aspects are covered in the first chapter, while other sections give a chronological account of raw earth architecture from antiquity to the present. It was originally published in French, as Habiter la terre: traditions, modernité et avenir de l’art de bâtir en terre crue.

The subtitle—Past, Present, Future— might seem clichéd, though it’s an apt summary of the book’s three key features: a sweeping historical survey, a guide to contemporary trends, and a manifesto for change. That last element is rather excessive, with Dethier’s repeated evangelising about the benefits of raw earth, though the 450 photographs and global coverage make this a definitive book on earth architecture.

The Art of Earth Architecture is one of several recent books on architectural materials. Others include Concrete, Brick, Stone, and Wood (a series by William Hall); Glass in Architecture (by Michael Wigginton); Brick (by James W.P. Campbell); Architecture in Wood (by Will Pryce); Arish (by Sandra Piesik); and Corrugated Iron (by Simon Holloway and Adam Mornement).

The Room Where It Happened

The Room Where It Happened
The Trump administration has made three attempts to prevent the publication of former national security advisor John Bolton’s forthcoming book The Room Where It Happened: A White House Memoir. In a letter dated 23rd January, the National Security Council claimed that the book contained classified material: “The manuscript may not be published or otherwise disclosed without the deletion of this classified information.” The book’s original publication date—17th March—was postponed to 12th May, as the NSC’s vetting process continued.

The NSC signed off on the manuscript at the end of April, though Bolton’s successor as national security advisor, Robert O’Brien, argued that “the manuscript described sensitive information about ongoing foreign policy issues”, according to a lawsuit filed on 16th June. The following day, the Justice Department sought an emergency injunction, arguing that the manuscript “still contains classified information”.

The publisher plans to contest the Trump administration’s lawsuits, and publication is scheduled for 23rd June. The Room Where It Happened is currently Amazon’s highest-selling book, based on pre-orders, and Trump’s attempts to suppress it seem highly counter-productive. This is a repeat of the controversy surrounding Michael Wolff’s book Fire and Fury, which also became a bestseller following Trump’s legal threats against it.

Like Fire and Fury, Fear, and A Very Stable Genius, The Room Where It Happened includes highly damaging allegations. Bolton writes that, at a meeting with Chinese President Xi Jinping, Trump “turned the conversation to the coming US presidential election... pleading with Xi to ensure he’d win”. Trump’s exact words were redacted by the NSC—Bolton originally quoted Trump, “but the government’s prepublication review process has decided otherwise”—though Vanity Fair revealed that Trump told Xi: “Buy a lot of soybeans and wheat and make sure we win.”

16 June 2020

Apropos of Nothing

Apropos of Nothing
Woody Allen, one of the world’s greatest comedians, has become persona non grata, after a lingering though unproven allegation of child molestation. (His adopted daughter, Dylan, told her doctor in 1992 that Allen had groped her; Allen claims that her mother, Mia Farrow, coached her to lie.) Allen’s autobiography, Apropos of Nothing, has sold surprisingly well despite the controversy and some absurdly vitriolic reviews. (It was compared to Mein Kampf in the New York Post, and a column in The Washington Post was headlined “If you’ve run out of toilet paper, Woody Allen’s memoir is also made of paper”.)

In the book, Allen gives a detailed—though, naturally, one-sided—account of the ensuing custody case. For example, in his summing up, judge Elliott Wilk wrote: “The evidence suggests that it is unlikely that [Allen] could be successfully prosecuted for sexual abuse. I am less certain, however, than is the Yale-New Haven [child psychology] team, that the evidence proves conclusively that there was no sexual abuse.” Allen quotes only the first sentence. He also paints Farrow as “an unhinged and dangerous woman” and insinuates bias on the part of the prosecution, while glossing over the judge’s criticisms of his own parenting.

To borrow a line from Stardust Memories, the best parts of Allen’s autobiography are the “early, funny ones.” (I say parts because there are no chapters or headings.) When he’s writing about happier times (especially his childhood and his relationship with Diane Keaton), the jokes come thick and fast. But his account of his recent films feels much more perfunctory.

13 June 2020

The Last President of Europe

The Last President of Europe
William Drozdiak’s study of Emmanuel Macron, The Last President of Europe, takes stock of Macron’s presidency three years after his election. This is a mostly admiring account, as the subtitle (Emmanuel Macron's Race to Revive France and Save the World) makes clear. Drozdiak interviewed Macron both on and off-the-record, at the Élysée Palace and in Washington.

The book begins with a brief recap of Macron’s domestic reforms and the ‘gilets jaunes’ (‘yellow vests’) protests against his government. This section is overly sympathetic to Macron, with the crisis considered largely from his perspective. (Three paragraphs begin with “Macron believes...”, for example.) Macron is portrayed as a victim of the protesters—his guards “pushed him inside his limousine as the menacing crowd approached”—and their anger is presented as discourteous to the office of the presidency.

Whereas Sophie Pedder’s Revolution française focused on Macron’s domestic agenda, The Last President of Europe is mainly concerned with foreign policy. There are chapters on Macron’s bilateral relations with Angela Merkel, Vladimir Putin, Xi Jinping, and, of course, Donald Trump. (The US President apparently asked Macron flatly: “Why don’t you leave the European Union?”, rendering the unflappable Macron speechless.)

20 May 2020

Team of Five

Team of Five
Team of Five: The Presidents Club in the Age of Trump, published yesterday, reveals how the most recent ex-Presidents and their spouses have adapted to life out of office. Author Kate Anderson Brower interviewed Jimmy Carter and three former First Ladies, though most of the ‘team of five’ didn’t participate.

Brower also spoke to the incumbent, Donald Trump, and the book begins with her Oval Office interview. Trump showed Brower a letter he had received from Kim Jong Un, presumably the same one that he showed to another interviewer, Doug Wead. In both cases, Trump used the document to give the illusion of bringing the interviewers into his confidence: he told Wead that his advisors “don’t want me to give these to you”, and he told Brower that she “was not meant to see this,” though he had already Tweeted the letter months earlier.

13 May 2020

Il Re di Bangkok

Il Re di Bangkok
Il Re di Bangkok
The graphic novel Il Re di Bangkok (‘the king of Bangkok’), was published in Italian last year, and has now been translated into Thai. The book was written by Claudio Sopranzetti and Chiara Natalucci, with illustrations by Sara Fabbri. (The Thai edition has been self-censored—on pages 93, 157, and 205—though the Italian edition is unexpurgated.)

The title character, Nok, is a blind lottery-ticket vendor from Isaan who travels to Bangkok for a better life. Economic migration from upcountry to the capital is commonplace, and was a standard theme of politically-conscious writers and directors in the mid-1970s. Nok becomes increasingly politically engaged during his time in Bangkok, as he lives through the ‘Black May’ massacre, the ‘tom yum kung’ economic crisis, the rise and fall of Thaksin Shinawatra, the 2006 coup, and the ‘red-shirt’ protests. The book ends as the red-shirts are massacred by the military, an event that took place exactly a decade ago.

For its Thai publication, Il Re di Bangkok was retitled ตาสว่าง (ta sawang), which describes the sense of political awakening experienced by Nok. Several of the Thai filmmakers I’ve interviewed have explained their own feelings of newfound political enlightenment. Pen-ek Ratanaruang (“somebody like me, who five years ago had no interest in politics at all”), Yuthlert Sippapak (“I never gave a shit about politics. But right now, it’s too much”), Chulayarnnon Siriphol (“I turned to be interested in the political situation”), Thunska Pansittivorakul (“I started to learn about politics”), Apichatpong Weerasethakul (“I was politically naïve”), and Nontawat Numbenchapol (“I was a teenager, a young man not interested in politics so much”) all discussed their personal experiences of ta sawang.

04 May 2020

No Filter

No Filter
Which is the most harmful social media platform? Facebook’s attention-grabbing and data-mining is unprecedented, and it hosted anti-Rohingya propaganda with devastating consequences. Fake news spread by WhatsApp group chats has led to mob killings in India. But Instagram has an arguably more pernicious cultural impact, and—as Sarah Frier writes in No Filter: The Inside Story of Instagram— it’s changing our entire way of life.

Cafés, galleries, and tourist attractions have become mere selfie backdrops, visited to be photographed at rather than experienced. As Frier notes, savvy businesses capitalise on this by changing “the way they design their spaces and how they market their products, adjusting their strategies to cater to the new visual way we communicate, to be worthy of photographing for Instagram.”

Instagram’s square frame is like the pool that captivated Narcissus. Instagram influencers post daily semi-naked selfies, and Instagram is a world of endless vacations, flawless bodies, and ideal homes. As Frier writes, “Instagram has made us not only more expressive but also more self-conscious and performative.” Whereas traditional advertising is aspirational, the picture-perfect lifestyles self-promoted on Instagram are absolutely unattainable.

Instagram’s founders, Kevin Systrom and Mike Krieger, initially resisted commercialisation, though after Facebook bought the company they began running ads to placate Mark Zuckerberg. But most advertising on Instagram is more insidious and ambiguous: what Frier calls “this thriving new economy of influence. As Instagram grew, so did the set of people willing to take money in exchange for posting about their outfits, vacations, or beauty routines, choosing their “favorite” brands with financial incentive to do so.”

Zuckerberg’s cooperation with the book extended only to a two-sentence email, though Frier did interview Systrom and Krieger. Zuckerberg comes across as the villain of the piece, though this may be because his perspective is missing. Once under the Facebook umbrella, Instagram was pressured to increase revenue. When it achieved this, by crossing previous red lines on user privacy and design integrity, it was regarded by Zuckerberg as an internal threat to be subjugated. (Inevitably, Systrom and Krieger resigned in 2018, just as the founders of other Facebook acquisitions—WhatsApp and Oculus—had done earlier that year.)

In the UK, No Filter is subtitled The Inside Story of How Instagram Transformed Business, Celebrity and Our Culture. In her preface, Frier describes the book as “an effort to bring you the definitive inside story of Instagram.” That effort was certainly successful, and No Filter stands alongside Facebook: The Inside Story, The Facebook Effect, and Hatching Twitter as an essential account of the creation and consequences of social media.

27 April 2020

Cultures at War

Cultures at War
Cultures at War: The Cold War and Cultural Expression in Southeast Asia, edited by Tony Day and Maya H.T. Liem, was published in 2010. The anthology includes ten essays that examine how Southeast Asian popular culture embraced independence and modernity in response to Cold War ideologies and geopolitics.

The cover depicts Mitr Chaibancha as the Red Eagle, and in one chapter Rachel V. Harrison discusses the character’s political subtext. In Mitr’s final film, he vanquishes a Red Eagle imposter—“his heroic guise has been commandeered by leftists”—and is transformed into the Golden Eagle, “epitomizing Thailand’s Cold War struggle with the communist enemy.”

Other Thai films of the Cold War era featured more pernicious anti-Communist messages. Harrison’s essay includes a close reading of หนักแผ่นดิน (‘scum of the earth’), a notorious propaganda film that glorifies the royalist paramilitary Village Scout movement.

Thailand’s anti-Communist purge ultimately led to the ‘red barrel’ killings and the 6th October 1976 massacre. The Moonhunter (14 ตุลา สงครามประชาชน) and Pirab (พิราบ) dramatise the decisions of radical students to join the Communist insurgency. Santikhiri Sonata (สันติคีรี โซนาตา), A Letter to Uncle Boonmee (จดหมายถึงลุงบุญมี), Uncle Boonmee Who Can Recall His Past Lives (ลุงบุญมีระลึกชาติ), and the exhibition Anatomy of Silence (กายวิภาคของความเงียบ) interrogate northern Thailand’s violent anti-Communist legacy.

30 March 2020

Facebook: The Inside Story

Facebook: The Inside Story
David Kirkpatrick’s book The Facebook Effect, published in 2010, remains the definitive history of Facebook’s formative years. But the Facebook of 2020 is very different from that of 2010, and Steven Levy’s Facebook: The Inside Story provides an updated account of the social network’s exponential expansion.

As Levy writes in his introduction, “the Facebook reputational meltdown has been epic.” That meltdown arguably began in earnest during the 2016 US election, when pro-Trump fake news was shared on Facebook more often than genuine news stories. In an interview with Kirkpatrick two days after Trump’s victory, Mark Zuckerberg dismissed concerns about the impact of fake news as “a pretty crazy idea.” Interviewed for Levy’s book three years later, Zuckerberg admits that he “might have messed that one up”.

The first half of Levy’s book covers the same ground as Kirkpatrick’s. Like Kirkpatrick, Levy was granted extensive access to Zuckerberg and dozens of other Facebook executives. (Levy also draws on “a seventeen-page chunk” of Zuckerberg’s 2006 journal.) The Facebook Effect’s assessment of the company was scrupulously balanced, though Kirkpatrick has since revised his opinion, telling the Financial Times in 2018 that Facebook represents an “extraordinary threat to democracy on a global scale”.

In Facebook: The Inside Story, Zuckerberg discusses Facebook’s early years in detail, though the chapters on more recent crises have a conspicuous lack of Zuckerberg quotes. The biggest of these PR disasters was the Cambridge Analytica data scandal, which Levy calls “the worst catastrophe in the company’s history”.

In the last of his seven interview sessions with Levy, Zuckerberg is more candid about his company’s egregious failings: “Some of the bad stuff is very bad and people are understandably very upset about it—if you have nations trying to interfere in elections, if you have the Burmese military trying to spread hate to aid their genocide, how can this be a positive thing?”