25 June 2017
Nobody Speak
In 2012, the blog site Gawker published a two-minute clip from a sex tape featuring wrestler Hulk Hogan. Hogan sued Gawker for invasion of privacy, and won $140 million in damages in 2016, bankrupting the company. Nobody Speak documents the trial, and interviews Gawker staff including AJ Daulerio, who wrote the Hogan blog post. (His only previous interview about the case was in February's Esquire magazine: "the guy who decided to post the Hogan sex tape, hasn't told the story behind his story. Until now.")
Ultimately, Gawker was nothing more than a gossip site, albeit an influential one, and the Hogan sex tape was a fairly open-and-shut invasion of privacy case. As attorney Floyd Abrams explains, "The reason to save Gawker is not because Gawker was worth saving. The reason to save it is because we don't pick and choose what sort of publications are permissible, because once we do, it empowers the government to limit speech in a way that ought to be impermissible."
Hogan's lawsuit was funded by venture capitalist Peter Thiel, a former PayPal CEO. Thiel had no interest in the Hogan case per se, though he saw it as an opportunity to take personal revenge against Gawker, which had outed him as gay in 2007. Thiel hired lawyer Charles Harder, who won the lawsuit against Gawker. (Harder was later hired by Melania Trump, and he won her case against the Daily Mail.)
The documentary spends an hour on the Gawker case, though it also covers casino owner Sheldon Adelson's takeover of the Las Vegas Review-Journal newspaper and US President Donald Trump's sustained attacks on major news organisations. Journalism professor Jay Rosen explains the link between the three cases: "the common thread among the Peter Thiel story, the Adelson story, and the Trump story is billionaires who are proclaiming: we are not vulnerable to truth. We are invulnerable to the facts."
19 June 2017
Truth On Trial In Thailand
Unsurprisingly, very little has been written about the history or legitimacy of the lèse-majesté law, and Truth On Trial In Thailand, by David Streckfuss, is the only full-length study of the subject. (A book published this year, ห้องเช่าหมายเลข 112, profiles lèse-majesté offenders, though it doesn't analyse the law itself. Streckfuss cites Borwornsak Uwanno's 2009 op-ed, written in defence of the law, as "the longest piece ever written in English (and probably Thai) by a Thai on the subject".)
Truth On Trial In Thailand: Defamation, Treason, & Lèse-majesté was first published in 2011. With 100 pages of notes, this is a comprehensive and authoritative study of Thailand's defamation and lèse-majesté laws. It's part of the Rethinking Southeast Asia series, edited by Duncan McCargo, who wrote a widely-cited paper on Thailand's patronage system (in The Pacific Review, 2005): "Thai politics are best understood in terms of political networks. The leading network of the period 1973-2001 was centred on the palace, and is here termed 'network monarchy'."
Streckfuss addresses the central paradox of lèse-majesté: "The difficulty for defenders of the law is to explain how the institution of Thai monarchy could be so utterly loved if it required the most repressive lese-majeste law the modern world has known." He also challenges the justifications used to defend the law, including exceptionalism ("a conceit about the uniqueness of all things Thai... understandable only to Thai") and national unity ("The obvious answer to the question of the incessant calls to Thai unity is that... no such unity ever existed and that even the appearance of unity has come at a terrible cost").
He also notes the increasingly flexible interpretation of the law, a tendency that has continued since the book was published: "A fairly consistent trend from lese-majeste cases can be discerned, from cases that referred personally to the king, queen, and heir-apparent, to cases where there was... only the most tenuous connection to the monarchy." The book even quotes some passages that fell foul of the law, such as a 23rd December 1981 Wall Street Journal article.
18 June 2017
The Putin Interviews
The book contains longer versions of the interviews, though it can't capture Putin's body language: he sighs heavily and smiles thinly throughout the programme, and in one episode he turns to wink at the camera. ("STONE/PUTIN" on the book's spine positions it as a successor to Frost/Nixon, though it feels more like Conversations With Thaksin.) The book's main asset is that it includes footnotes, citing reputable and neutral sources, that fact-check the interviews. But the footnotes focus on statistical details rather than the wider narrative; for example, verifying that "Putin is correct that well over 90% of the Crimeans who went to the polls voted to leave Ukraine and join Russia" yet ignoring the illegality of the referendum itself.
In the documentary's most surreal moment, Stone and Putin watch a DVD of Stanley Kubrick's Cold War satire Dr Strangelove. Putin is clearly unimpressed, and gives a fairly bland assessment: "There are certain things in this film that indeed make us think, despite the fact that everything you see on screen is make believe. He foresaw some issues even from a technical point of view, things that make us think about real threats that exist."
Throughout most of the programme, Stone's questions reflect his opposition to America's hawkish foreign policies. Putin plays up to this, by criticising American interventionism, which provides Stone with validation for his own view of American neoconservatism. At one point, Putin declines to blame America for cyberattacks on Russian banks - "You are disappointed because the U.S. failed to do something?" - and Stone displays a rare moment of skepticism: "You're obviously sitting on some information. I understand why you may not want to make it public."
Too often, Putin's questionable denials of his own foreign interventions go unchallenged. When asked about Russia's hacking of the Democratic National Committee, Putin says, "Unlike many of our partners, we never interfere with the domestic affairs of other countries." Instead of asking any follow-up questions, Stone simply ends the interview session. Similarly, the issue of Crimea is presented from an entirely pro-Russian perspective: Putin says, "We were not the ones to annex Crimea. The citizens of Crimea decided to join Russia", accompanied by propagandist footage of a young girl hugging a soldier.
Only in the fourth and final episode does Stone begin to challenge Putin. (In his prologue to the book of transcripts, Robert Scheer writes: "In that last session, Stone strenuously pushes Putin".) The episode begins with their most recent interview, recorded earlier this year, in which they return to the subject of Russia's DNC hacking. Stone says of Putin: "You look like a fox who just got out of the hen house", to which Putin replies: "There were no hens in the hen house, unfortunately."
Towards the end of the last episode, Stone raises the issue of Putin's extended time in office, to which Putin offers a standard justification: "Our goal is to reinforce our country." In his reply, Stone finally criticises his interviewee directly: "That is a dangerous argument, because it works both ways. Those who abuse power always say it's a question of survival."
16 June 2017
Whitewash
One of the images (Chosen Boys) shows military cadets waiting for a royal procession. In another (Cadets), three cadets pose with rifles during their military training. In the third photo (Heaven Gate), the faces of a group of female civil servants have all been replaced by a Ravinder Reddy sculpture of a golden head. (The sculpture was installed outside CentralWorld, one of the buildings damaged by arson following the 2010 massacre.) A sketch of Sanam Luang, and a seven-page handwritten diary about 2010, were also removed from the exhibition.
Gallery VER (previously located across the river in Thonburi) is next door to another gallery, Cartel Artspace, and it was there that the seven soldiers had originally intended to inspect. They apparently noticed the VER exhibition only by chance, while waiting to gain access to Cartel. By coincidence, two of the photographs in question appear as consecutive double-page spreads in the current issue of Foam (on pages 220-223), and the magazine has been withdrawn from sale in Bangkok.
This is the third time in the past decade that exhibitions in Bangkok have been censored. Withit Sembutr's painting Doo Phra, depicting a group of Buddhist monks crowding around an amulet-seller, was removed from the Young Thai Artist 2007 exhibition at Esplanade. Five pictures by photojournalist Agnes Dherbeys were removed from the Rupture exhibition at BACC.
Dherbeys' photographs, like Harit's, depicted the 2010 protests. In all three exhibitions, the spaces left by the removed works remained conspicuously empty, to highlight the censorship. Whitewash opened on 3rd June, and is scheduled to run until 22nd July.
15 June 2017
ทำลายจำนำข้าว แต่ฆ่าชาวนา
The rice subsidy scheme was implemented by former Prime Minister Yingluck Shinawatra in 2011. Her government agreed to pay farmers up to 50% above the market rate for their rice, intending to withhold it from the world market and thus drive up the price. As a result, countries such as India and Vietnam increased their rice exports, and the government was left with vast stockpiles of rice that it could not sell.
In 2014, the national Anti-Corruption Commission brought charges against Yingluck for her role in the policy, and she was retroactively impeached by the National Legislative Assembly in 2015. After an investigation into the scheme, she was fined $1 billion last year.
14 June 2017
Bad Taste Movie Night
13 June 2017
100 Greatest Movies
This is Empire's eighth greatest-films poll. The previous ones are: 100 Favourite Films Of All Time (1996), Your 100 Greatest Films Ever! (1999), The 50 Best Films (2001), 100 Greatest Movies Of All Time (2004), 201 Greatest Movies Of All Time (2006), The 500 Greatest Movies Of All Time (2008), and The 301 Greatest Films Of All Time (2014).
The 100 Greatest Movies are as follows:
100. Stand By Me
99. Raging Bull
98. Amelia
97. Titanic
96. Good Will Hunting
95. Arrival
94. Lost In Translation
93. The Princess Bride
92. The Terminator
91. The Prestige
90. No Country For Old Men
89. Shaun Of The Dead
88. The Exorcist
87. Predator
86. Indiana Jones & The Last Crusade
85. Leon
84. Rocky
83. True Romance
82. Some Like It Hot
81. The Social Network
80. Spirited Away
79. Captain America: Civil War
78. Oldboy
77. Toy Story
76. A Clockwork Orange
75. Fargo
74. Mulholland Drive
73. Seven Samurai
72. Rear Window
71. Hot Fuzz
70. The Lion King
69. Singin' In The Rain
68. Ghostbusters
67. Memento
66. Star Wars VI: Return Of The Jedi
65. The Avengers
64. LA Confidential
63. Donnie Darko
62. La La Land
61. Forrest Gump
60. American Beauty
59. ET: The Extra-Terrestrial
58. Inglourious Basterds
57. Whiplash
56. Reservoir Dogs
55. Pan's Labyrinth
54. Vertigo
53. Psycho
52. Once Upon A Time In The West
51. It's A Wonderful Life
50. Lawrence Of Arabia
49. Trainspotting
48. The Silence Of The Lambs
47. Interstellar
46. Citizen Kane
45. Drive
44. Gladiator
43. One Flew Over The Cuckoo's Nest
42. There Will Be Blood
41. Eternal Sunshine Of The Spotless Mind
40. Twelve Angry Men
39. Saving Private Ryan
38. Mad Max: Fury Road
37. The Thing
36. The Departed
35. The Shining
34. Guardians Of The Galaxy
33. Schindler's List
32. The Usual Suspects
31. Taxi Driver
30. Seven
29. The Bog Lebowski
28. Casablanca
27. The Good, The Bad, & The Ugly
26. Heat
25. Terminator II: Judgment Day
24. The Matrix
23. The Lord Of The Rings II: The Two Towers
22. Apocalypse Now
21. 2001: A Space Odyssey
20. Die Hard
19. Jurassic Park
18. Inception
17. Fight Club
16. The Lord Of The Rings III: The Return Of The King
15. Aliens
14. Alien
13. Blade Runner
12. The Godfather II
11. Back To The Future
10. The Lord Of The Rings I: The Fellowship Of The Ring
9. Star Wars IV: A New Hope
8. Jaws
7. Raiders Of The Lost Ark
6. GoodFellas
5. Pulp Fiction
4. The Shawshank Redemption
3. The Dark Knight
2. Star Wars V: The Empire Strikes Back
1. The Godfather
12 June 2017
Bangkok Screening Room
10 June 2017
Tape Art
Photographs of contemporary tape art in situ are included (mostly from the past decade, with a handful of early examples from the 1990s). There is also a brief historical introduction by tape art pioneer Michael Townsend: "Tape art has no long history to boast of, but does have an extensive and ever expanding catalog of expressions: from protest and performance art, to the beautification and occupation of public space, to advertising."
08 June 2017
Post-Truth
Of course, d'Ancona highlights Vote Leave's campaign pledge ("the assertion - emblazoned on the side of the Leave battle bus - that Brexit would yield a £350 million weekly top-up for the cash-strapped NHS") and explains its mendacity: "To borrow a distinction often made by Trump's supporters, it was evidently a mistake to take the Leave campaign literally rather than seriously." He also itemises some of Trump's lies and exaggerations, which were labelled "truthful hyperbole" by Tony Schwartz (ghost writer of The Art Of The Deal) and defended as "alternative facts" by Kellyanne Conway.
Explaining the origins of post-truth, d'Ancona notes the commercial value in sensational falsehoods: "Post-Truth sells, too. Those whom the Columbia University professor Tim Wu has called the 'attention merchants' compete for our time - and market it as a hugely valuable product." He also cites the ideological fragmentation of media and audiences: "The consequence is that opinions tend to be reinforced and falsehoods unchallenged. We languish in the so-called 'filter bubble'."
The book also reminds us of pre-Trump, post-truth presidential soundbites, from "I am not a crook" (Richard Nixon) to "I did not have sexual relations with that woman" (Bill Clinton). This history, d'Ancona argues, has contributed to a public distrust of authority, a situation which was then exploited by partisan media: "If institutional failure has eroded the primacy of truth, so too has the multi-billion-dollar industry of misinformation," leading to the proliferation of 'fake news' online.
Apichatpong Weerasethakul
Sourcebook
06 June 2017
The Filter Bubble
He argues that the 'filter bubble' acts to reinforce our ideological positions by presenting us only with opinions with which we already agree, and that this process is invisible and involuntary: "When you turn on Fox News or read The Nation, you're making a decision about what kind of filter to use to make sense of the world. It's an active process, and like putting on a pair of tinted glasses, you can guess how the editors' leaning shapes your perception. You don't make the same kind of choice with personalized filters."
The 'filter bubble' is not a new concept, though it was popularised by Pariser's book. It's related to the notion of 'cyberbalkanization' coined twenty years ago, and Tim Berners-Lee has criticised the 'walled garden' effect of closed systems such as app stores that fragment the web.
The impact of the bubble can be seen in Thailand: red-shirts and yellow-shirts each have different sources of information (Voice TV and Manager, respectively). Similarly, CNN's Reliable Sources contrasted Democrat and Republican media (respectively, MSNBC and Fox News), calling it "Red News/Blue News".
The Filter Bubble is subtitled What The Internet Is Hiding From You. For the US paperback edition, the subtitle was changed to How The New Personalized Web Is Changing What We Read & How We Think.
ห้องเช่าหมายเลข 112
Lèse-majesté is strictly enforced and broadly interpreted in Thailand. Bail is very rarely granted to suspects, and court cases are heard in camera. Since the coup, lèse-majesté cases have been tried in military courts. Consequently, self-censorship is routinely exercised by Thai writers, and very little commentary about the law is published, making this book both surprising and welcome. (The only full-length study of lèse-majesté - in either Thai or English - is Truth On Trial In Thailand, by David Streckfuss.)
Hit Makers
The book's most significant contribution is its refutation of the myth that cultural memes 'go viral'. Drawing on a research paper from 2012 (The Structure Of Online Diffusion Networks), Thompson argues that viral hits rely on mass dissemination in addition to word-of-mouth: "For most so-called viral ideas or products to become massive hits, they almost always depend on several moments where they spread to many, many people from one source." Metaphorically, viral content is propagated via water pumps (broadcasting to a wide audience) rather than water coolers (conversations between individuals).
Hit Makers is subtitled The Science Of Popularity In An Age Of Distraction. In the UK, the subtitle was simplified to How Things Become Popular. Thompson's articles for The Atlantic magazine include early examinations of online clickbait, which he defines in Hit Makers: "An article is considered clickbait if the headline gets the reader to click on a story that doesn't live up to its promise."
News Writing & Reporting
News Writing
'Pink slime'
ABC World News Tonight first reported on LFTB on 7th March 2012, describing it as "'pink slime', beef trimmings that were once used only in dog food and cooking oil, now sprayed with ammonia to make them safe to eat and then added to most ground beef as a cheaper filling." (There is no neutral term to describe the product: LFTB is euphemistic, and 'pink slime' is dysphemistic.)
ABC News did not coin the term 'pink slime', though its series of World News Tonight reports popularised it and increased public awareness of the presence of LFTB in processed beef. As The New York Times reported on 31st December 2009, the phrase was first used internally by the US Department of Agriculture: "department microbiologist, Gerald Zirnstein, called the processed beef "pink slime" in a 2002 e-mail message to colleagues". Jamie Oliver also used the term, in a 12th April 2009 episode of Food Revolution: "a new world of food. It's called pink slime."
01 June 2017
Risomania
The book begins with a history of stencil duplication: "To date there has been no comprehensive account published of it, although there are many books waiting to be written. Here, all we have the space to do is lay out the essentials of the development of this technology, and try to straighten out some of the misconceptions that bedevil the field." Duplicators such as the mimeograph, cyclograph, hectograph, papyrograph, and typograph are all discussed.
Risomania was first published in French translation (subtitled Risographe, Mimeographe & Autre Duplicopieurs). It's an interesting account of a technology that's missing from the standard histories of printing, Prints & Visual Communication (by William M Ivins) and the definitive The Art Of The Print (by Fritz Eichenberg).
Empire's 100 Greatest Movies
29 May 2017
Cinema Explicito
The Attention Merchants
Wu is as critical of advertising as Packard, emphasising its detrimental impact on the commercial media and entertainment it sustains, from the penny press to prime-time broadcasting and clickbait: "The attention merchant had always tried to reach as broad an audience as possible, bombarding them with as many ads as they'd stand before going into total revolt." (Mark Tungate's Adland is a more favourable history of the advertising industry.)
25 May 2017
The 4th Silent Film Festival In Thailand
The Mark Of Zorro was directed by Fred Niblo, who also made the silent version of Ben-Hur. Starring Douglas Fairbanks, Zorro was one of the first adventure films featuring a swashbuckling hero. Fairbanks would play several similar characters in subsequent films throughout the 1920s (including Robin Hood, The Three Musketeers, The Thief Of Bagdad, and The Black Pirate), influencing Errol Flynn's performances in adventure films of the 1930s (Captain Blood and The Adventures Of Robin Hood).
The Festival opens on 8th June and closes on 14th June. The will be a photographic exhibition at Scala, Light & Shadow: Films Of The Weimar Republic, for the duration of the Festival.
24 May 2017
Bangkok Screening Room
Stagecoach will be shown on 30th and 31st May; and 1st, 2nd, 3rd, 4th, 7th, 9th, 10th, 11th, 14th, 15th, 17th, and 18th June. Citizen Kane will be screened on 6th, 7th, 8th, 9th, 10th, 11th, 15th, 16th, 17th, 18th, 20th, 21st, and 24th June.
23 May 2017
Woman's Day
The magazine quoted a high school classmate's description of Wilson: "Her name is – or was – Melanie Elizabeth Bownds, and she's 36 – she was born in 1979 and we left school in 1997." The article also included photographs of Wilson from her high school yearbook.
Wilson launched her lawsuit on 16th May last year, and the article was deleted from the Woman's Day website on the same day. In the magazine's print edition, the article was headlined "Just who is the REAL Rebel?"
22 May 2017
(Un) Happy Birthday
Participants were not permitted to use the words 'coup' or 'dictator', and they were not allowed to refer to the junta by name. The poster for the event was censored to remove the Thai abbreviation for the NCPO ("คสช"). To circumvent the restrictions, several speakers held up placards containing the banned words during their speeches.
Similarly, when an army spokesman participated in a discussion at the FCCT in Bangkok shortly after the coup, he asked participants to refer to the coup euphemistically as an "intervention". After initially pledging to hold an election in 2015, the junta has repeatedly delayed its 'roadmap', and an election is not realistically expected until 2018 or later.
21 May 2017
Thailand’s Political History:
From the 13th Century to Recent Times
Terwiel, who has been writing about Thai history for forty years, takes a refreshingly skeptical view of the nationalistic accounts of early Thai history, which he calls “national myths.” For example, he compares six different accounts of King Naresuan’s elephant duel. While the objective truth remains lost in the mists of time, recognising that these events are open to multiple interpretations is significant in itself: “It is doubtful whether anyone will unravel the details of this battle in a decisive way. Suffice to say that The Royal Chronicle version, which has had a monopoly in Thai history writing, is only one version among many.”
16 May 2017
The Nation
The article appeared to endorse the claims, which it presented as facts rather than allegations: “Tailings from the mine have drained directly into the river for many years, clogging it with a large amount of sediment and contaminating the village’s water sources with heavy metals from the mine.” Also, it didn’t include a statement from the mining company, and there is no indication that the journalist even contacted the company before publication.
The Bangkok Post newspaper’s Spectrum supplement ran a cover story on the mine on 19th March. The Spectrum article also quoted residents complaining about the mine’s impact, though unlike The Nation it distanced itself from the claims, treating them as allegations rather than facts. Also in contrast to The Nation, Spectrum included a lengthy statement from the MPC managing director, who “rejected accusations that the company had caused the water contamination.”
The company’s lawsuit against Pratch and The Nation accuses them of defamation and violation of the Computer Crime Act, as the article was also published on the newspaper’s website. (Defamation, like lèse-majesté, is a criminal offence in Thailand.) Last year, the Tungkum mining company lost a defamation case against Thai PBS for reporting that a mine had caused water pollution in Loei, Thailand.
14 May 2017
Alien: Covenant
Covenant's action takes place several years before Alien's storyline, though Alien really needs to be seen first, not for narrative reasons but to fully appreciate the original 'chestburster' sequence. In that respect, Prometheus and Covenant are similar to the (inferior) Star Wars prequels: they provide convoluted and largely unnecessary backstories, they depict 'older' worlds that paradoxically seem more advanced, and they disclose the plot twists in the earlier films.
Covenant's final revelation, involving Michael Fassbender's two characters, was far too predictable. (Revealing it to the audience sooner would have led to more Hitchcockian suspense.) Covenant benefits from Scott's typically superb production design and cinematography, though ultimately it's Alien without the tension or (Fassbender excluded) the depth of character.
12 May 2017
Are We There Yet?
08 May 2017
The Art Of The Hollywood Backdrop
Whereas theatrical backdrops are often stylised, cinematic backings are (like matte paintings) designed to deceive the audience: to create a realistic 2D simulation of a 3D environment. As the authors explain, "backings created for the movies of Hollywood were rarely recognized for what they were - nor was that their purpose. These special effect backings, the largest paintings ever created, were breathtaking in their artistic and technical virtuosity."
Aside from double-page photographs of Georges Melies and Fritz Lang, The Art Of The Hollywood Backdrop is devoted entirely to films from the American studio system. A 100-page introduction traces the history of the Hollywood backdrop, and subsequent chapters profile individual backdrop artists. This is a substantial and comprehensive book, lavishly presented in a slipcase. It has 300 illustrations, many of which are stunning full-page photographs (though twenty-eight pages on Lemony Snicket's A Series Of Unfortunate Events is perhaps excessive).
07 May 2017
Puppetry: A World History
Blumenthal writes in her preface: "Puppetry: A World History encompasses all kinds of constructed actors and performing objects from all times and all places. Given this gigantic scope, the default methodology would have been to sort the material by genre, time, or place - particularly since no other existing study does that job." She argues, however, that the shared functions and aesthetics of puppetry around the world lend themselves to a thematic survey rather than a chronological history.
The Meaning Of Life
In the programme, presenter Gay Byrne asked Fry what he would say to God if there was an afterlife. Fry, who has been a life-long atheist, didn't mince his words: "I'll say, 'Bone cancer in Children? What's that about? How dare you! How dare you create a world in which there is such misery that is not our fault. It's not right, it's utterly, utterly evil. Why should I respect a capricious, mean-minded, stupid God who creates a world which is so full of injustice and pain?'"
Irish law states that anyone who intentionally "publishes or utters blasphemous matter" is guilty of criminal defamation. The 2009 Defamation Act defines "blasphemous matter" as "grossly abusive or insulting in relation to matters held sacred by any religion, thereby causing outrage among a substantial number of the adherents of that religion," though there are exemptions for content of "literary, artistic, political, scientific, or academic value".
The law of blasphemy was abolished in the UK in 2008. Famously, the editor of Gay News was prosecuted for blasphemous libel after he published James Kirkup's poem The Love That Dares To Speak Its Name on 3rd June 1976. Extracts from the poem subsequently appeared in Socialist Challenge magazine (14th July 1977); Gay Left magazine (Winter 1977); The Observer newspaper (17th July 1977); Geoffrey Robertson's memoir, The Justice Game (1998); Bound & Gagged, a history of obscenity by Alan Travis (2000); A Voyage Round John Mortimer (2007) by Valerie Grove; the Channel 4 documentary The Secret Life of Brian (1st January 2007); and an episode of Joan Bakewell's TV series Taboo (12th December 2001).
04 May 2017
“Delete the picture...”
The original plaque was installed in 1936, next to a statue of King Rama V. Apart from a hiatus from 1960 to 1963, it had remained in place until approximately one month ago, when it was removed by persons unknown. The plaque’s current whereabouts, and the reason for its replacement, have not been revealed. According to the Bangkok Metropolitan Authority, CCTV cameras in the area were not operational when the plaque was removed.
Early last month, the plaque’s removal generated plenty of critical comments on social media. However, that debate has since died down, as the military government has discouraged any commentary on the issue. A panel discussion on the subject, which had been due to take place at the Foreign Correspondents’ Club of Thailand last night, was cancelled by the police.
Even a month after the replacement, a policeman still stands guard near the new plaque, to prevent photography. Today, the police officer was friendly, yet insistent: “You can delete? Delete. Delete. Delete! Delete the picture! OK, you delete.”
02 May 2017
German Film Week 2017
01 May 2017
Veep
C**tgate (a pun on Watergate) was broadcast by HBO on 29th May 2016. It was co-written by Will Smith, who presented The C Word (2007), a documentary about the word 'cunt'. In the DVD audio commentary for the episode, director Brad Hall says: "I have a feeling this particular episode is going to set a record for the amount of times the word 'cunt' has been said in an audio commentary!"
The plot of the episode, with Meyer trying to identify the person who called her a cunt, is similar to an episode of 30 Rock (2007), in which the main character overheard one of her staff calling her the same word. Iannucci's UK series The Thick Of It (2005) also included a similar plot device in one episode, with an investigation into which staff-member called another a cunt in an email.