The centrepiece, The Death in 2020-2021 [sic], is a vast, 10m-long canvas depicting the eponymous blue man amongst a sea of dead bodies. An inflatable yellow duck is also present, in reference to the protesters who used inflatable ducks to defend themselves from water cannon last October and November. The blue man also appears in a group of smaller paintings, this time in various sexual positions. In A Blue Man I, he is at the centre of an orgy, a representation of corrupt decadence similar to Vasan Sitthiket’s Ten Evil Scenes of Thai Politic [sic].
Unlike Manit Sriwanichpoom’s equally incongruous pink man (พิ้งค์แมน), the blue man’s colour has a symbolic meaning in Thailand, and he wears an ornate crown (of gold leaf). An artist’s statement affixed to the gallery wall offers some context: “With a knife in his hand, a blue man wounds people who denied him, also anyone who have no faith in his love” [sic]. This allusion to lèse-majesté is reinforced by the exhibition’s title, as Rama X described Thailand as “the land of compromise” during a walkabout on 2nd November last year.