The Art Of The Hollywood Backdrop, by Richard M Isackes and Karen L Maness, is a history of Hollywood studio backdrops (scenic trompe l'oeil backgrounds). There have been a few books on related aspects of film-making, such as matte paintings (The Invisible Art, by Mark Cotta Vaz and Craig Barron) and production design (Caligari's Cabinet & Other Grand Illusions, by Leon Barsacq; and Designs On Film, by Cathy Whitlock), though this "DEFINITIVE HISTORY" (as the back cover justifiably proclaims) is the first survey of film backdrops.
Whereas theatrical backdrops are often stylised, cinematic backings are (like matte paintings) designed to deceive the audience: to create a realistic 2D simulation of a 3D environment. As the authors explain, "backings created for the movies of Hollywood were rarely recognized for what they were - nor was that their purpose. These special effect backings, the largest paintings ever created, were breathtaking in their artistic and technical virtuosity." (In this respect, they are also related to painted Victorian panoramas.)
Aside from double-page photographs of Georges Melies and Fritz Lang, The Art Of The Hollywood Backdrop is devoted entirely to films from the American studio system. A 100-page introduction traces the development of the Hollywood backdrop during the first 100 years of cinema, and subsequent chapters profile individual backdrop artists. This is a substantial and comprehensive book, lavishly presented in a slipcase. It has 300 illustrations, many of which are stunning full-page photographs.