
The Coens have cited Roman Polanski's The Tenant and Repulsion as influences, and those films both feature delusional, isolated characters. Kubrick's The Shining was surely also influential, both narratively (writer's block) and stylistically (tracking shots in hotel corridors). Barton Fink's Hotel Earle, which could be interpreted as a symbolic hell, may indeed be as malicious as The Shining's Overlook Hotel. Barton Fink seems loaded with symbolism; as with Shutter Island and Inception, numerous theories and explanations have been expounded, and arguably some of the more melodramatic events exist only in the central character's paranoid imagination.
The film won the Palme d'Or at Cannes in 1991. Several of its leaders actors have also appeared in other Coen brothers films: Turturro and Buscemi in Miller's Crossing; Turturro and Goodman in O Brother, Where Art Thou?; Turturro, Goodman, and Buscemi in The Big Lebowski; Goodman in Raising Arizona; and Buscemi in The Hudsucker Proxy, Paris, Je T'Aime, and the Coens' greatest film, Fargo.

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