Monday, 24 November 2008

New Sermon

Police have removed photographs by the Russian performance artist Oleg Kulik from an exhibition in Paris. The images, part of a retrospective exhibition titled New Sermon, were confiscated on 28th October after police visited the exhibition at the FIAC art fair.

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Friday, 21 November 2008

Astonishment & Power

Astonishment & Power
Astonishment & Power
The ArtGorillas gallery in Bangkok is currently showing Astonishment & Power, an exhibition of paintings and photographs by Bogomir Krajnc. The exhibition includes abstract collages (painted over newspapers and old prints), and photographs of dead animals (including a bird's head, used as the exhibition's poster image). There is even a painting with an animal skull stuck onto it. Astonishment & Power opened on 10th November, and runs until the end of the month.

Thursday, 20 November 2008

100 Films
Pour Une Cinematheque Ideale

100 Films Pour Une Cinematheque Ideale Les 100 Plus Beaux Films De L'Histoire Du Cinema
Cahiers Du Cinema, the highly respected French film magazine, has published a book listing 100 films necessary for a perfect cinema programme. The book, by Claude-Jean Philippe, is titled 100 Films Pour Une Cinematheque Ideale. A Parisian cinema, the Reflet Medicis, will indeed be screening the 100 films, in a season called Les 100 Plus Beaux Films De L'Histoire Du Cinema, running from yesterday until 6th July 2009.

The 100 films were chosen by a panel of seventy-eight film critics. The list is ranked according to the proportion of votes each film received, as follows:

48/78 (61%)
  • Citizen Kane
47/78 (60%)
  • The Night Of The Hunter
  • The Rules Of The Game
46/78 (59%)
  • Sunrise
43/78 (55%)
  • L'Atalante
40/78 (51%)
  • M
39/78 (50%)
  • Singin' In The Rain
35/78 (45%)
  • Vertigo
34/78 (44%)
  • Les Enfants Du Paradis
  • The Searchers
  • Greed
33/78 (42%)
  • Rio Bravo
  • To Be Or Not To Be
29/78 (37%)
  • Tokyo Story
28/78 (36%)
  • Le Mepris
27/78 (35%)
  • Ugetsu Monogatari
  • City Lights
  • The General
  • Nosferatu
  • The Music Room
26/78 (33%)
  • Freaks
  • Johnny Guitar
  • La Maman & La Putain
25/78 (32%)
  • The Great Dictator
  • The Leopard
  • Hiroshima Mon Amour
  • Pandora's Box
  • North By Northwest
  • Pickpocket
24/78 (31%)
  • Casque D'Or
  • The Barefoot Contessa
  • Mme De...
  • Le Plaisir
  • The Deer Hunter
23/78 (29%)
  • L'Avventura
  • Battleship Potemkin
  • Notorious
  • Ivan The Terrible I-II
  • The Godfather
  • Touch Of Evil
  • The Wind
22/78 (28%)
  • 2001: A Space Odyssey
  • Fanny & Alexander
21/78 (27%)
  • The Crowd

  • La Jetee
  • Pierrot Le Fou
  • Confessions Of A Cheat
20/78 (26%)
  • Amarcord
  • La Belle & La Bete
  • Some Like It Hot
  • Some Came Running
  • Gertrud
  • King Kong
  • Laura
  • Seven Samurai
19/78 (24%)
  • The 400 Blows
  • La Dolce Vita
  • The Dead
  • Trouble In Paradise
  • It's A Wonderful Life
  • M. Verdoux
  • The Passion Of Joan Of Arc
18/78 (23%)
  • Breathless
  • Apocalypse Now
  • Barry Lyndon
  • Grand Illusion
  • Intolerance
  • Partie De Campagne
  • Playtime
  • Rome: Open City
  • Senso
  • Modern Times
  • van Gogh
17/78 (22%)
  • An Affair To Remember
  • Andrei Rublev
  • The Scarlet Empress
  • Sansho Dayu
  • Talk To Her
  • The Party
  • Tabu
  • The Bandwagon
  • A Star Is Born
  • M. Hulot's Holiday
16/78 (20%)
  • America America
  • El
  • Kiss Me Deadly
  • Once Upon A Time In America
  • Daybreak
  • Letter From An Unknown Woman
  • Lola
  • Manhattan
  • Mulholland Drive
  • My Night At Maud's
  • Night & Fog
  • The Gold Rush
  • Scarface
  • Bicycle Thieves
  • Napoleon
It's a pleasant surprise to see two films by Kenji Mizoguchi - Ugetsu Monogatari and Sansho Dayu - as his work rarely appears on top-100 lists. Note that Some Like It Hot is the 1959 comic masterpiece, not the obscure 1939 comedy. Cahiers produced a similar list in 1994, 100 Films Pour Une Videotheque, though that list was restricted to films available on VHS.

Tuesday, 18 November 2008

Memento

Memento
Memento is a psychological thriller directed by Christopher Nolan, starring Guy Pearce, Carrie-Anne Moss, and Joe Pantoliano. It's an example of Neo-Noir film-making, featuring the detective-mystery plot, duplicitous characters, flawed protagonist, femme fatale, and downbeat conclusion typical of Film Noir. More specifically, Memento is an example of Film Soleil, a strain of Noir (exemplified by Chinatown) that exchanges chiaroscuro for sunshine and swaps the grime of New York for the cleanliness of California.

Leonard Shelby (Pearce) and his wife were attacked in their home by two masked men. During the attack, Shelby killed one of the men, though he sustained a head injury that resulted in anterograde amnesia: he can remember his life before the attack, though he has lost his short-term memory. Consequently, he photographs everyone he meets, writes notes to himself, and even tattoos important information on his body. The film begins with Leonard searching for his wife's murderer, a man whose initials are JG. He is helped by an amoral cop, Teddy (Pantoliano); and he meets a bartender, Natalie (Moss), who gives him vital information. Teddy and Natalie both exploit Leonard to a certain degree, as does the only other person he interacts with, a motel clerk.

Leonard exists in a constant state of confusion, unable to remember anything for more than a few minutes, and the film employs a unique narrative structure in order to give the audience the same sense of bewilderment. The story is essentially told in reverse chronological order, with each event followed by the event that chronologically preceded it. Throughout the film, Leonard tracks down clues that lead him to JG, and each new clue is initially a mystery to the audience: we learn of the significance of each event only when its context is revealed by the subsequent scene. (The technique was later used by Gaspar Noe in Irreversible.)

Memento's narrative positions it alongside the non-linear, fragmented structures of Eternal Sunshine Of The Spotless Mind and other recent films, a trend inspired by the success of Pulp Fiction. With a complex series of clues, an unreliable narrator, and a twist ending, it also recalls The Usual Suspects. The film demands an audience's attention, since every scene contains a new piece of the puzzle; it's one of the smartest and most original films of the decade.

Thursday, 13 November 2008

Legendary Movies

Legendary Movies
Legendary Movies, by Paolo d'Agostini, features 140 films arranged chronologically and selected for their artistic, cultural, and commercial significance. It was originally written for the Italian market, as I Grandi Film: Quando Il Cinema Diventa Leggenda, and consequently there is a distinctly Italian bias to the list.

There are plenty of genuinely legendary films in the book, though there are also quite a few popular yet insubstantial (and frankly awful) titles: A Summer Place, The Pink Panther, Mary Poppins, Love Story, Forrest Gump, and Life Is Beautiful. Also, very recent films (such as the Bourne and Pirates Of The Caribbean trilogies) could hardly be described as legendary.

The Legendary Movies are as follows:
  • Cabiria
  • The Cabinet Of Dr Caligari
  • Nosferatu
  • Battleship Potemkin
  • Metropolis
  • The Blue Angel
  • Frankenstein
  • Grand Hotel
  • King Kong
  • It Happened One Night
  • Modern Times
  • Grand Illusion
  • The Wizard Of Oz
  • Ninotchka
  • Stagecoach
  • Gone With The Wind
  • Citizen Kane
  • Casablanca
  • Arsenic & Old Lace
  • Rome: Open City
  • Gilda
  • It's A Wonderful Life
  • Bicycle Thieves
  • The Asphalt Jungle
  • Sunset Boulevard
  • Singin' In The Rain
  • High Noon
  • Don Camillo
  • The Wild One
  • Roman Holiday
  • From Here To Eternity
  • A Star Is Born
  • On The Waterfront
  • Sabrina
  • Seven Samurai
  • Rear Window
  • Rebel Without A Cause
  • & God Created Woman
  • The Ten Commandments
  • The Seventh Seal
  • The Bridge On The River Kwai
  • The Great War
  • Ben-Hur: A Tale Of The Christ
  • Some Like It Hot
  • A Summer Place
  • La Dolce Vita
  • Breathless
  • Two Women
  • Psycho
  • The Magnificent Seven
  • Breakfast At Tiffany's
  • West Side Story
  • Lolita
  • Jules & Jim
  • Lawrence Of Arabia
  • The Pink Panther

  • The Leopard
  • A Fistful Of Dollars
  • Goldfinger
  • Mary Poppins
  • Dr Zhivago
  • A Man & A Woman
  • Guess Who's Coming To Dinner
  • The Dirty Dozen
  • Belle De Jour
  • The Graduate
  • In The Heat Of The Night
  • Romeo & Juliet
  • Planet Of The Apes
  • Bullitt
  • 2001: A Space Odyssey
  • Rosemary's Baby
  • Easy Rider
  • Midnight Cowboy
  • Love Story
  • M*A*S*H
  • Dirty Harry
  • A Clockwork Orange
  • Cabaret
  • The Godfather
  • The Sting
  • American Graffiti
  • The Exorcist
  • Jaws
  • One Flew Over The Cuckoo's Nest
  • Nashville
  • Taxi Driver
  • Rocky
  • In The Realm Of The Senses
  • Saturday Night Fever
  • Star Wars IV: A New Hope
  • Close Encounters Of The Third Kind
  • The Deer Hunter
  • Grease
  • Apocalypse Now
  • Manhattan
  • Alien
  • The Blues Brothers
  • The Shining
  • American Gigolo
  • The Party
  • Raiders Of The Lost Ark
  • Escape From New York
  • First Blood
  • ET: The Extra-Terrestrial
  • Blade Runner
  • Once Upon A Time In America
  • A Nightmare On Elm Street
  • Back To The Future
  • Top Gun
  • 9½ Weeks
  • Wings Of Desire
  • The Last Emperor
  • Rain Man
  • Nikita
  • Pretty Woman
  • Edward Scissorhands
  • Raise The Red Lantern
  • The Silence Of The Lambs
  • Thelma & Louise
  • Basic Instinct
  • Batman Returns
  • Schindler's List
  • Forrest Gump
  • Pulp Fiction
  • Seven
  • Mission: Impossible
  • Life Is Beautiful
  • Titanic
  • The Matrix
  • Gladiator
  • The Lord Of The Rings I-III
  • Amelie
  • Talk To Her
  • Kill Bill I-II
  • The Last Samurai
  • Million Dollar Baby
  • The Bourne Identity/Supremacy/Ultimatum
  • Pirates Of The Caribbean I-III
Note that Ben-Hur, Frankenstein, and The Ten Commandments are all sound films and not the earlier silent versions. Some Like It Hot is the 1959 comic masterpiece, not the obscure 1939 comedy. Also, Titanic is the 1997 James Cameron version (as opposed to the earlier 1943 and 1953 versions). There have been many filmed adaptations of Romeo & Juliet; this one is the 1968 Franco Zeffirelli version.

Wednesday, 5 November 2008

LittleBigPlanet

LittleBigPlanet
Boulevard De L'Independence
Arab Money
The new PlayStation game LittleBigPlanet has been recalled and modified, to remove a song from its soundtrack. The song, Tapha Niang (from Toumani Diabate's album Boulevard De L'Independance), features quotations from the Koran; fortunately, the album is still available. (A remix of the Busta Rhymes single Arab Money, released this month, also includes lines from the Koran.)

[Previously, a song featuring Koran quotes was removed from Joey Boy's album The Greatest Beats in Thailand. Also, Lebanese performer Marcel Khalife's song Ana Yousef, Ya Abi (1995) was accused of blasphemy due to its Koran quotation. MF Husain, who painted the controversial Mother India, also quoted from the Koran in his song Noor-Un-Ala in 2004.]

video audio

Tuesday, 4 November 2008

Stanley Kubrick:
Essays On His Films & Legacy

Stanley Kubrick: Essays On His Films & Legacy
Stanley Kubrick: Essays On His Films & Legacy is a new compendium of Kubrickian scholarship, edited by Gary D Rhodes. At first glance, it closely resembles Depth Of Field, a previous collection of essays on Kubrick, with individual analyses of his major films, excluding Dr Strangelove, and several chapters devoted to Eyes Wide Shut.

The contributors to Depth Of Field (Diane Johnson, Vincent LoBrutto, Frederic Raphael, Jonathan Rosenbaum, et al.) were less academic, though arguably more authoritative. The contributors to Rhodes's book all have university teaching positions, yet none of them has previously published any work on Kubrick.

In his introduction, Rhodes inexplicably praises the first essay as a "monumental examination of Kubrick's photography for Look magazine". Unfortunately, the essay is a missed opportunity: instead of providing a detailed analysis or survey of Kubrick's Look photography, the author (Philippe Mather) spends page after page on photojournalism textbooks and sociological theories. Also, Mather's Look sources are all secondary, seemingly limited to Drama & Shadows and LoBrutto's biography.

Other disappointing essays include overly descriptive articles on Kubrick's documentaries (by Marina Burke) and Killer's Kiss (by Tony Williams), both of which feature extensive plot summaries and only limited analysis. Then there is Eric Eaton's dry, theoretical study of Paths Of Glory: he examines the film's "conceptualization of at least two fundamental, polarized properties: (1) abstraction-concretion; and (2) the opposition of the powerful cultural forces emanating from the two states toward the concrete world of"... zzzzzzzzz.

Thankfully, there are also some more engaging essays: Hugh S Manon explores Kubrick's contributions to Film Noir, Reynold Humphries examines the politics of Spartacus, and Homay King analyses the camerawork of Barry Lyndon. There are three interesting approaches to Eyes Wide Shut: gender, by Lindiwe Dovey; carnival, by Miriam Jordan and Julian Jason Haladyn; and phenomenology, by Phillip Sipiora. (Dovey does, however, make a glaring error, writing that Eyes Wide Shut "is the only film in which Kubrick acts as an extra". In fact, Kubrick is not an extra in Eyes Wide Shut, though he does briefly appear in five of his earlier films.)

The book's final chapter, by Robert JE Simpson, deals with Kubrick's personal reputation and public image, discussing the media representations of Kubrick that have appeared since his death (including Raphael's book, Eyes Wide Open; Colour Me Kubrick; and the Stanley Kubrick Archive, in London). This is the book's most original chapter, and contains valuable information on texts that many people may be unaware of.

6th World Film Festival of Bangkok

6th World Film Festival of Bangkok
Jubilee
Manthan
Bhumika
The 6th World Film Festival of Bangkok was held at Paragon Cineplex from 24th October to 2nd November. It featured retrospectives of directors Derek Jarman (including his Punk film Jubilee on 26th October) and Shyam Benegal (including his Middle Cinema films Manthan on 27th and 30th October, and Bhumika on 26th and 31st October). The Festival was on a slightly smaller scale than last year, with no peripheral events.

L'Express International

L'Express L'Express International
L'Express International, the global edition of the French weekly magazine L'Express, has self-censored a portrait of Mohammed used on the cover of the current issue. The French edition is uncensored. Even obscuring Mohammed's face did not stop Morocco from banning the international edition.

Forbidden Words

Forbidden Words
Forbidden Words: Taboo & The Censoring Of Language, by Keith Allan and Kate Burridge, is an analysis of social and cultural linguistic suppression.

The authors take an inclusive approach, finding space not only for swear words and profanities but also for political correctness, proscriptive usage, and jargon. Each chapter begins with an abstract, though an introduction outlining the various areas of enquiry might be a useful addition, given the wide scope of the book.

The first chapter explores the origins of social taboos and literary censorship, material which will be familiar to many readers. More interesting is the next chapter, which discusses euphemistic language; here, the authors coin a new term, 'orthophemism', to describe literal vocabulary which is neither euphemistic nor dysphemistic.

The bulk of the book is a series of thematic chapters describing linguistic taboos against sex, bodily fluids, food, disease, and death. (My website is cited as a reference in one chapter.)